An enthralling tale, but the genuine mystery involves the protagonist, a spellbinding enigma from beginning to end.
A divorcé’s 5-year-old daughter vanishes during a weekend visit, turning his apartment neighbors into suspects in Southern’s (Killing Sound, 2014, etc.) thriller.
A Britain-based man, whose first-person narrative never reveals his name, has been living in a flat since his divorce, his likewise unnamed daughter with him Friday through Sunday. The protective father keeps his daughter close, so he’s understandably upset when she slips onto the elevator alone when he’s momentarily distracted. He quickly heads to Minus One, the elevator’s designation for the basement and a button-selection that fascinates his curious daughter. The girl’s not there, and the police have no luck finding her. One officer, however, claims there are signs that someone else was in the basement, so that the girl isn’t merely lost—someone’s likely abducted her. Suddenly the neighbors in the man’s apartment building, most of whom he recognizes only by sight, are dubious and potential kidnappers. It isn’t long before police are arresting some of the same people the man’s passed by on the stairs. But the worried father may not be what he appears. He’s been lying to authorities and, he shamefully admits, to his readers as well. He’ll have to decide if maintaining his secret is the right way to go, or if it’ll simply make things worse. Though the story’s mystery is sound, the author’s true focus is the narrator. He’s an intricate, multidimensional character whose initial sympathy readers may find waning as the story progresses. He can be insightful; he’s “always on the defensive” for fear people of differing ethnicities will construe anything he does as racist. Other times, though, he’s outright offensive, asserting women in general “need the constant bolstering and ego inflation to compensate for the lack of collagen and silicone.” A shocking twist happens about a third into the novel; it’s best left unspoiled and demands a reexamination of the girl’s disappearance (Southern smartly plays the scene a second time). But the protagonist is riveting throughout. The unsavory atmosphere, too, retains tension, primarily the recurring scene of the seedy basement, where all the tenants dump their trash via chutes.
An enthralling tale, but the genuine mystery involves the protagonist, a spellbinding enigma from beginning to end.Pub Date: June 1, 2016
ISBN: N/A
Page Count: 245
Publisher: Dog Ear Publisher
Review Posted Online: May 20, 2016
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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