by Paul Tremblay ‧ RELEASE DATE: June 2, 2015
Tremblay expertly ratchets up the suspense until the tension is almost at its breaking point.
When a teenager exhibits early signs of schizophrenia, her parents turn not to traditional psychiatry but to a Catholic priest determined to drive out demons and a sleazy reality TV show eager to get the whole fiasco on tape.
Fifteen years ago, the Barretts were just a typical Massachusetts family: father John, mother Sarah, and two daughters, Marjorie, 14, and Merry, 8, who got along well and often wrote stories together. Though John had lost his job, the family managed to stay afloat. Then Marjorie's behavior changed from normal teenage angst to something more disturbing. Tremblay (No Sleep till Wonderland, 2010, etc.) intercuts the past with present-day scenes of Merry being interviewed by an author writing a book about the Barretts' decision to allow their life to be televised on The Possession. It was John, with his renewed faith in God, who pushed for a Catholic intervention—an exorcism, à la Linda Blair—and Sarah finally agreed. Their priest, Father Wanderly, had connections to the television series, and going on the show offered a way for the Barretts to avoid defaulting on their mortgage. The TV crew moved into the family home, and yet, instead of capturing the "truth," an even more elaborate fiction began to play out, with deadly consequences. As the adult Merry's memories clash with the televised version of events leading up to the climactic final episode of The Possession—it's not spoiling too much to say that everything that could go wrong does—readers will begin to question if anyone in the house is truly sane.
Tremblay expertly ratchets up the suspense until the tension is almost at its breaking point.Pub Date: June 2, 2015
ISBN: 978-0-06-236323-7
Page Count: 304
Publisher: Morrow/HarperCollins
Review Posted Online: April 15, 2015
Kirkus Reviews Issue: May 1, 2015
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by Anthony Doerr ‧ RELEASE DATE: May 6, 2014
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
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edited by Anthony Doerr & Heidi Pitlor
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SEEN & HEARD
BOOK TO SCREEN
by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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SEEN & HEARD
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