Having established an impressive track record of six acclaimed books by the ripe age of 31 (Stand Before Your God, 1994, etc.), Watkins stumbles a bit here, losing his way in Maine's northern woods while on the trail of an eco-activista young radical who takes on a logging-company owner determined to clear-cut old-growth wilderness. Logger Mackenzie has never been bested in his business, and knows no limits as to what he'll do to survive—not even when it comes to sawing off his own leg to save himself in a logging accident. He owns the town of Abenaki Junction, though his grip is slipping with local resentment over his cutting down the Algonquin Wilderness. When one of his loggers dies using defective company equipment, Mackenzie fakes a tree-spiking to deflect the blame, only to have the ensuing manhunt result in the murder of his unacknowledged illegitimate son. Then Gabriel arrives, fresh from spiking trees in the West. An ex-fighter pilot turned eco- terrorist, Gabriel grew up in Abenaki Junctionuntil his father was fired for standing up to Mackenzie and the family moved away. Fortunately, no one recognizes him now, so he takes a railroad job and sets to work. His spikes soon put the saws in Mackenzie's mill out of action, prompting the owner to turn to a Yale-classmate- turned-covert-ops-specialist for help. A hit man arrives to take Gabriel out, but when matters get out of hand and tabloid TV gets wind of the story, Mackenzie decides to reform . . . but it's already too late to avoid the grisly melee that ensues. With its undeniable power of language and sharply etched imagery, this tale makes a mighty crash, but being short of either Carolyn Chute's understanding of upcountry Maine folk or Edward Abbey's enthusiasm for the good fight, it falls hollow at the core.
Pub Date: Jan. 1, 1996
ISBN: 0-679-44391-6
Page Count: 336
Publisher: Random House
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 1995
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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