An irrepressible Florida frolic filled with lost dreams, forlorn love, and horror movie lore.
A West Palm Beach story about a boy obsessed with a horror movie star.
As Wilborn’s latest novel opens, lanky 17-year-old Michael Donnelly has already crossed the line. The son of Donnelly Avionics CEO and West Palm Beach millionaire Alex Donnelly, young Michael is a horror film fan, obsessed with the works of director Mario Bava, the “Fellini of gore,” the mind behind such masterpieces as Kill Baby Kill and Blood and Black Lace. Unfortunately, Michael is also obsessed with up-and-coming horror movie star Dawn Karston, to whom he’s mailed what he considers movie storyboards worthy of her artistry but law enforcement would consider death threats (Wilborn’s novel takes place in the 1980s, when parents and cops alike have movie-obsessed John Hinckley’s attempted assassination of President Ronald Reagan fresh on their minds). Faced with the hard facts, and knowing that both he and Michael are still reeling from the suicide of Michael’s mother, Crystal (“the loss of a woman they both loved,” he reflects, “hadn’t brought them closer together”), Alex decides to have Michael committed to Palmdale Haven for the three weeks Dawn Karston is filming Swamp Fiend II in the nearby Everglades. Michael, “a gawky mantis of a kid,” learns of this plan and goes on the run with his father’s credit card and soon falls in with blustering Cavanaugh Reilly and his lover, Lola, who promise to help smuggle Michael onto the Swamp Fiend set before his father’s private investigator finds him—although, to up the ante in a relentlessly clever plot, they’re also thinking of double-crossing him before the money runs out. It’s an antic, very Floridian tale, populated with larger-than-life characters and full of Carl Hiaasen–style dry humor and Elmore Leonard–style sharp descriptions. The characters all have penchants for funny one-liners, and a kind of zany logic binds their very strange separate worlds. Wilborn packs a lot of fun and human insight into a slim number of pages.
An irrepressible Florida frolic filled with lost dreams, forlorn love, and horror movie lore.Pub Date: June 8, 2022
ISBN: 978-1-940300-48-1
Page Count: 306
Publisher: St. Petersburg Press
Review Posted Online: Dec. 18, 2021
Review Program: Kirkus Indie
A novel of horrific beauty, where death is the only truth.
Even within the author’s extraordinary body of work, this stands as a radical achievement, a novel that demands to be read and reread.
McCarthy (No Country for Old Men, 2005, etc.) pushes his thematic obsessions to their extremes in a parable that reads like Night of the Living Dead as rewritten by Samuel Beckett. Where much of McCarthy’s fiction has been set in the recent past of the South and West, here he conjures a nightmare of an indeterminate future. A great fire has left the country covered in layers of ash and littered with incinerated corpses. Foraging through the wasteland are a father and son, neither named (though the son calls the father “Papa”). The father dimly remembers the world as it was and occasionally dreams of it. The son was born on the cusp of whatever has happened—apocalypse? holocaust?—and has never known anything else. His mother committed suicide rather than face the unspeakable horror. As they scavenge for survival, they consider themselves the “good guys,” carriers of the fire, while most of the few remaining survivors are “bad guys,” cannibals who eat babies. In order to live, they must keep moving amid this shadowy landscape, in which ashes have all but obliterated the sun. In their encounters along their pilgrimage to the coast, where things might not be better but where they can go no further, the boy emerges as the novel’s moral conscience. The relationship between father and son has a sweetness that represents all that’s good in a universe where conventional notions of good and evil have been extinguished. Amid the bleakness of survival—through which those who wish they’d never been born struggle to persevere—there are glimmers of comedy in an encounter with an old man who plays the philosophical role of the Shakespearean fool. Though the sentences of McCarthy’s recent work are shorter and simpler than they once were, his prose combines the cadence of prophecy with the indelible images of poetry.
A novel of horrific beauty, where death is the only truth.Pub Date: Oct. 2, 2006
ISBN: 0-307-26543-9
Page Count: 288
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2006
PERSPECTIVES
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SEEN & HEARD
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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