THE LITTLE SHOP OF FOUND THINGS

A bewitching tale of love across centuries.

When Xanthe Westlake and her mother, Flora—who's been blindsided by a nasty divorce—leave London to purchase an antiques shop in Marlborough, a 17th-century silver key belt, or chatelaine, begins to sing to Xanthe, pulling her into a time-traveling mission to save a wrongly accused servant girl.

Xanthe, gifted with psychometry, sometimes feels an emotional tug from the antiques she and Flora sell. Yet no artifact has sung so loudly and insistently as the chatelaine. As Xanthe clears the gardens behind their store, she discovers that the chatelaine’s energy increases the closer she moves toward a strange, rounded building, which turns out to be a blind house, a jail for suspected criminals awaiting trial. Local legend says the blind house sits at the intersection of two powerful ley lines. Although Xanthe is curious about the ley lines, the overwhelming sense of anguish in the blind house concerns her until she begins to be harassed by the ghost of Margaret Merton, a woman burned at the stake for Catholic beliefs. Mistress Merton desperately needs Xanthe to use the chatelaine and blind house to travel back in time to save the life of Alice, a maidservant accused of theft. Once she falls back in time, however, Xanthe’s task is complicated by the difficult machinations of a legal system that undercuts the poor, not to mention the possibilities of love with Samuel Appleby, a talented architect drawn to Xanthe’s unconventional ways. Attentive to historical detail as well as beautifully delineated scenes, Brackston (The Return of the Witch, 2016, etc.) has crafted rich characters with plausible concerns: Xanthe is not simply a time-traveling woman in search of love; she has wrongfully suffered jail time herself because of her no-good, drug-addicted ex-boyfriend and worries for her feisty yet arthritic mother, saddled with frozen bank accounts. Fans of Diana Gabaldon’s Outlander collection will delight in Brackston’s new series and eagerly await its second installment.

A bewitching tale of love across centuries.

Pub Date: Oct. 2, 2018

ISBN: 978-1-250-07243-6

Page Count: 320

Publisher: St. Martin's

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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