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YOUR RAINFOREST MIND

A GUIDE TO THE WELL-BEING OF GIFTED ADULTS AND YOUTH

An engagingly written work about people struggling with a “jungle of thoughts, emotions, sensitivities, questions, dreams,...

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Psychotherapist Prober describes her concept of a “rainforest mind” in this debut resource aimed at “excessively curious, idealistic, sensitive, [and] highly intelligent” people.

The author seeks to provide those who’ve been labeled “gifted” with the intellectual tools they need to thrive in the world. Prober transitioned to a career in mental health after a short stint as a middle school teacher, during which she was introduced to the concept of gifted children. She developed the idea of “rainforest minds” while seeking a less controversial term to describe such students. People with rainforest minds, she asserts, tend to be highly empathetic, often to the point of feeling overwhelmed by the state of the world and the suffering of others. The author presents case studies of rainforest-minded people who sought her help during her 30 years as a therapist. Many suffered abuse or neglect as children, struggled to excel in school, and found interpersonal relationships difficult to form and maintain. Prober also discusses the common occurrence of crippling anxiety, perfectionism, and the “impostor phenomenon” among those with rainforest minds. The author structures each chapter around a central theme and then provides a list of strategies, further readings, and other resources at the end. She says that not all of her potential solutions will work for everyone; she also suggests that some people consider being tested for ADHD and offers a study of a patient with both an attention deficit disorder and a rainforest mind. The obvious compassion that Prober feels for others—much like the empathy of those she counsels—prevents the text from feeling clinical, and her knowledge and experience provide a gravitas that many other self-help volumes lack. The author does show awareness of the limitations of her studies, which are mainly based on a largely homogenous patient population, but her honesty throughout makes her text feel earnest and convincing.

An engagingly written work about people struggling with a “jungle of thoughts, emotions, sensitivities, questions, dreams, worries,” among other concerns.

Pub Date: June 20, 2016

ISBN: 978-0-692-71310-5

Page Count: 193

Publisher: GHF Press

Review Posted Online: Oct. 24, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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