Microbanks aren’t new, although they are gaining prominence. Here is the story of the first—or at least the formal first—and the one that gained the most notoriety.
Muhammad Yunus grows up in the far-eastern part of India before Partition, in what is now Bangladesh. Although his father makes a decent living, Muhammad is exposed to poverty every day, from beggars at his door to the poor encampments he sees during his Boy Scout excursions. He graduates university, and each day as he walks to work, he passes a woman making stools from bamboo; she is obviously in dire financial straits. He stops to speak with her, to learn her circumstances. Yoo tells the story clearly and unflinchingly, though compassionately, explaining to readers the dreadful trap of the debt cycle. That is lesson No. 1 in this book: The debt cycle is a global plague. Yunus realizes that a simple monetary gift will not help the women out of poverty, but a tiny loan that brings her and other village women into entrepreneurship can. This is lesson No. 2 and what earns Yunus the Noble Peace Prize. Akib’s artwork is drawn in hot shades of pastel that are at once unforgiving and exhilarating.
A heart-gladdening testament to pulling your own suspenders tight, with a little help from your friends. (Picture book/biography. 6-11)Pub Date: Sept. 1, 2014
ISBN: 978-1-60060-658-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 29, 2014
Kirkus Reviews Issue: July 15, 2014
Categories: CHILDREN'S BIOGRAPHY & MEMOIR
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The legions of fans who over the years have enjoyed dePaola’s autobiographical picture books will welcome this longer gathering of reminiscences. Writing in an authentically childlike voice, he describes watching the new house his father was building go up despite a succession of disasters, from a brush fire to the hurricane of 1938. Meanwhile, he also introduces family, friends, and neighbors, adds Nana Fall River to his already well-known Nana Upstairs and Nana Downstairs, remembers his first day of school (“ ‘ When do we learn to read?’ I asked. ‘Oh, we don’t learn how to read in kindergarten. We learn to read next year, in first grade.’ ‘Fine,’ I said. ‘I’ll be back next year.’ And I walked right out of school.”), recalls holidays, and explains his indignation when the plot of Disney’s “Snow White” doesn’t match the story he knows. Generously illustrated with vignettes and larger scenes, this cheery, well-knit narrative proves that an old dog can learn new tricks, and learn them surpassingly well. (Autobiography. 7-9)
Pub Date: April 1, 1999
ISBN: 0-399-23246-X
Page Count: 58
Publisher: Putnam
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: April 15, 1999
Categories: CHILDREN'S BIOGRAPHY & MEMOIR
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Mirroring the career he eventually entered, architect Fernandez builds up, like one of Havana’s ornate structures, memories of childhood in his pre- and post-Castro hometown. A gifted illustrator, he drew constantly, easily rendering even minute architectural details. Before emigrating to New York City, young “Dino” and his family moved first to Madrid to assist relatives. Discovering a dictatorship that wasn’t much different from the one they’d left in Cuba, the family returned home and then finally moved to the United States. Havana was never far from his mind, and art brought solace. So homesick was Dino in Manhattan that he actually “built” a cardboard replica of Havana that captured the colors and warmth he remembered. This fictionalized memoir is for the contemplative reader and anyone who has felt out of place or yearned for a beloved home; it could serve as a catalyst for creative expression. Wells has chosen anecdotes wisely, and Ferguson’s illustrations are atmospheric, capturing Dino’s childlike enthusiasm and longing. An author’s note reveals how Wells came to know of and be inspired by Fernandez’s story. (Fiction. 8-11)
Pub Date: Aug. 1, 2010
ISBN: 978-0-7636-4305-8
Page Count: 72
Publisher: Candlewick
Review Posted Online: Dec. 6, 2010
Kirkus Reviews Issue: July 1, 2010
Categories: CHILDREN'S BIOGRAPHY & MEMOIR
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