Several distinct voices and points of view develop this multilayered narrative, reminiscent of jazz improvisations that...
Two feuding Brooklyn families—West Indian and American—come to terms with the past when a young great-grandson arrives in their midst.
Marshall, Brooklyn native and author of the critically acclaimed Brown Girl, Brownstones (1981) and Daughters (1991), explores the long-standing rivalry between West Indian immigrants and American-born blacks, telling the interwoven stories of several generations on both sides. The Paynes, ambitious strivers from the islands, don’t think much of the high-and-mighty McCullums, only one generation removed from their Virginia farm. Then young, musically talented Sonny-Rett Payne woos and wins Cherisse McCullum, the lovely, light-skinned daughter whose mother had hoped would become a movie star á la Dorothy Dandridge—and the battle lines are drawn. While their mothers never forgive it (or each other for allowing it), Sonny-Rett and Cherisse escape to Paris after WWII, and there Sonny-Rett becomes a world-famous jazz musician and composer, and Cherisse his happy wife. They’re accompanied by Hattie Carmichael, once a foster child in their close-knit community, who acts as Sonny’s manager and the family factotum. The expatriate Paynes thrive until Sonny’s descent many years later into drug abuse and Cherisse’s subsequent death from breast cancer. Their wayward daughter JoJo has a fling with a street vendor from Cameroon, which results in a son, named after his grandfather. Hattie eventually brings the boy to visit his elderly American relatives, who are still struggling to keep up appearances in their rapidly gentrifying neighborhood—and still clinging to their dimly remembered fury over the long-ago feud.
Several distinct voices and points of view develop this multilayered narrative, reminiscent of jazz improvisations that explore a melody in different ways. But Marshall’s undisciplined prose doesn’t have the sensual immediacy of music: ultimately the effect is more confusing than lyrical.Pub Date: Oct. 1, 2000
ISBN: 0-684-87283-8
Page Count: 224
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2000
BOOK REVIEW
BOOK REVIEW
In part a perfectly paced mystery story, in part an Indian Wuthering Heights: a gorgeous and seductive fever dream of a...
A brilliantly constructed first novel that untangles an intricate web of sexual and caste conflict in a vivid style reminiscent of Salman Rushdie's early work.
The major characters are Estha and Rahel, the fraternal twin son and daughter of a wealthy family living in the province of Kerala. The family's prosperity is derived from a pickle factory and rubber estate, and their prideful Anglophilia essentially estranges them from their country's drift toward Communism and their ``inferiors' '' hunger for independence and equality. The events of a crucial December day in 1969—including an accidental death that may have been no accident and the violent consequences that afflict an illicit couple who have broken "the Love Law''—are the moral and narrative center around which the episodes of the novel repeatedly circle. Shifting backward and forward in time with effortless grace, Roy fashions a compelling nexus of personalities that influence the twins' "eerie stealth'' and furtive interdependence. These include their beautiful and mysteriously remote mother Ammu; her battling "Mammachi'' (who runs the pickle factory) and "Pappachi'' (an insufficiently renowned entomologist); their Oxford-educated Marxist Uncle Chacko and their wily "grandaunt'' Baby Kochamma; and the volatile laborite "Untouchable'' Velutha, whose relationship with the twins' family will prove his undoing. Roy conveys their explosive commingling in a vigorous prose dominated by odd syntactical and verbal combinations and coinages (a bad dream experience during midday nap-time is an "aftermare'') reminiscent of Gerard Manly Hopkins's "sprung rhythm,'' incantatory repetitions, striking metaphors (Velutha is seen ``standing in the shade of the rubber trees with coins of sunshine dancing on his body'') and sensuous descriptive passages (``The sky was orange, and the coconut trees were sea anemones waving their tentacles, hoping to trap and eat an unsuspecting cloud'').
In part a perfectly paced mystery story, in part an Indian Wuthering Heights: a gorgeous and seductive fever dream of a novel, and a truly spectacular debut. (First serial to Granta)Pub Date: May 1, 1997
ISBN: 0-679-45731-3
Page Count: 368
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...
Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).
At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.
Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.Pub Date: Feb. 9, 2009
ISBN: 978-0-312-36410-6
Page Count: 400
Publisher: St. Martin's
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 2008
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