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FOLLOWING THE EAGLE

An excellent novel–readers will want more.

Jenkins’ debut novel tells the riveting Civil War saga of Ethan Fraser, a half-white, half-Sioux teenager who journeys from his Illinois home to Civil War battlegrounds to imprisonment in Confederate prisoner camps, all in a quest to understand his Native American roots.

Readers join Ethan near the beginning of the Civil War–he joins the 36th Illinois after one of his older brothers is killed, eventually becoming a courier for a Northern spy. Readers follow him on a daring escape from captivity behind enemy lines to his recapture and imprisonment in Alabama’s horrific Cahaba Prison. When a prison transfer to Mobile, Ala., offers an opportunity for escape, Ethan is once again off and running, ending up in the home of Elizabeth Magrath, a well-to-do widow of Northern heritage. Before long, Ethan and the widow fall in what passes for love in wartime, but the hero isn’t content to wait out the war in hiding. With Elizabeth’s aid he returns to the Union, only to be court-martialed for desertion and espionage. When a racist jury sentences him to death, Ethan escapes once again, this time determined to find his mother’s people in the Great Plains. He is taken in by a band of Cheyenne who teach him their ways, and learns firsthand the atrocities of so-called “civilized” white men. Ethan struggles to reconcile his two heritages, and eventually negotiates his own peace–one that adheres completely to neither the white nor the Native ways. Jenkins crafts a fascinating tale, painstakingly researched and richly detailed. Part potboiler, part historical fiction, readers won’t be able to put it down until the final page.

An excellent novel–readers will want more.

Pub Date: Nov. 22, 2007

ISBN: 978-1-4196-7021-3

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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