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DADDY'S GONE A-HUNTING

A wry dissection of domestic despair and affluent ennui and a topical introduction to Mortimer's body of literary work.

In a commuter town outside of London, Ruth Whiting leads a lonesome and tedious existence.

With her sons returned to boarding school after the holidays, her daughter, Angela, to Cambridge, and her oblivious, bloviating husband absented to London during the workweek, Ruth, whether in fact or function, is almost always alone. When she socializes, it is, briefly and superficially, with equally bored bourgeois neighbors, other wives who, "like little icebergs, each keeps a bright and shining face above water; below the surface, submerged in fathoms of leisure, each keeps her own isolated personality....Their friendships, appearing frank and sunny, are febrile and short-lived, turning quickly to malice." And so, purposeless, neglected until someone needs something from her, unable to make or sustain meaningful connections even within her own family, revisiting past regrets that now make up the fundamental architecture of her life, Ruth finds her sense of self and security destabilizing. No longer trusted to remain independent, she is further isolated, attended by the family physician, who has bafflingly prescribed a trip alone to Antibes, wardened by the patronizing, priggish Miss de Beer. But when Angela comes to her for help with an unwanted pregnancy, retreading a younger Ruth's own missteps, a chance at real closeness may finally have arrived. The profound gap between what goes unsaid—which is often volumes—and what the characters say—typically the most minimal, noncommittal response available—drives Mortimer's bone-dry humor, illuminating the Whitings' vulnerable humanity and further alienation as they fumble for intimacy with one another and those in their orbit. Originally published in 1958, a full decade before abortion was legalized in the U.K., the book is as salient a study of the disparate views and persistent inequities around reproductive health care for present-day U.S. readers as it is illuminating of midcentury English attitudes and conditions.

A wry dissection of domestic despair and affluent ennui and a topical introduction to Mortimer's body of literary work.

Pub Date: May 17, 2022

ISBN: 978-1-946022-26-4

Page Count: 264

Publisher: McNally Editions

Review Posted Online: June 21, 2022

Kirkus Reviews Issue: July 15, 2022

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FRIDAY BLACK

Corrosive dispatches from the divided heart of America.

Edgy humor and fierce imagery coexist in these stories with shrewd characterization and humane intelligence, inspired by volatile material sliced off the front pages.

The state of race relations in post-millennial America haunts most of the stories in this debut collection. Yet Adjei-Brenyah brings to what pundits label our “ongoing racial dialogue” a deadpan style, an acerbic perspective, and a wicked imagination that collectively upend readers’ expectations. “The Finkelstein 5,” the opener, deals with the furor surrounding the murder trial of a white man claiming self-defense in slaughtering five black children with a chainsaw. The story is as prickly in its view toward black citizens seeking their own justice as it is pitiless toward white bigots pressing for an acquittal. An even more caustic companion story, “Zimmer Land,” is told from the perspective of an African-American employee of a mythical theme park whose white patrons are encouraged to act out their fantasies of dispensing brutal justice to people of color they regard as threatening on sight, or “problem solving," as its mission statement calls it. Such dystopian motifs recur throughout the collection: “The Era,” for example, identifies oppressive class divisions in a post-apocalyptic school district where self-esteem seems obtainable only through regular injections of a controlled substance called “Good.” The title story, meanwhile, riotously reimagines holiday shopping as the blood-spattered zombie movie you sometimes fear it could be in real life. As alternately gaudy and bleak as such visions are, there’s more in Adjei-Brenyah’s quiver besides tough-minded satire, as exhibited in “The Lion & the Spider,” a tender coming-of-age story cleverly framed in the context of an African fable.

Corrosive dispatches from the divided heart of America.

Pub Date: Oct. 23, 2018

ISBN: 978-1-328-91124-7

Page Count: 208

Publisher: Mariner/Houghton Mifflin Harcourt

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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SHOOT THE MOON

A delightful and surprising story of a woman drawn through life by curiosity.

Time is fractured in this story of a woman’s life as a child, college student, and 20-something set against the development of the atomic bomb and efforts to land the first man on the moon.

When Annie Fisk was a child growing up in New Mexico, she had a best friend, Diana, who would appear and disappear in her backyard. A number of small trinkets appeared and disappeared in the same way. As Annie grew up, she decided her friend must have been imaginary, and she never told her mother or her father—a physicist working on the atomic bomb at Los Alamos—about it. After her father’s death and her graduation from high school, Annie headed to college in San Antonio, where she met and fell in love with Evelyn, a fellow college student with dreams of being a painter. But, drawn by an imaginary thread, Annie leaves Evelyn after graduation to move to Houston, with the goal of working for NASA. And she does—starting as a secretary, and then moving into programming. What begins as a straightforward story veers into science fiction territory almost unexpectedly as Annie discovers a wormhole and begins to research and test the implications of that finding with a colleague. Explorations of love, loss, science, and the edges of the universe and what is—and is not—possible in the space-time continuum collide in this story; it's reminiscent of the thoughtfulness, matter-of-fact science, and female strength of Connie Willis’ well-known time traveling series beginning with Doomsday Book (1992) as well as the world portrayed in Margot Lee Shetterly's Hidden Figures (2016).

A delightful and surprising story of a woman drawn through life by curiosity.

Pub Date: Oct. 10, 2023

ISBN: 9780593543887

Page Count: 336

Publisher: Putnam

Review Posted Online: July 13, 2023

Kirkus Reviews Issue: Aug. 1, 2023

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