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WHEN THE MOON IS FULL

Name: WHEN THE MOON IS FULL
Author: Penny Pollock
ISBN: 0-316-71317-1

A LUNAR YEAR

by Penny Pollock & illustrated by Mary Azarian ‧ RELEASE DATE: Sept. 1, 2001

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The rhymed text doesn’t match the power of Caldecott-winner Azarian’s hand-colored woodcuts in this journey through the seasons. Each of Pollock’s verses describes the scene: January is Wolf Moon, April is Frog Moon, December is Long Night Moon, and so on. Each verse is followed by a short sentence expanding on the poem’s description, and that sometimes is absurdly self-evident: for May, the Flower Moon, “Many flowers bloom in May.” The verses tend to thud and clunk along, and the author, a Wyandotte Indian descendant, refers consistently to Native Americans in her text as if they were a homogenous group. Question-and-answer pages at the end answer such questions as, “What is a blue moon?” Azarian’s images are beautifully rendered, with an underlying strength to the patterns of flower, cornstalk, ripple, and leaf. A more engaging verbal treatment of this theme is Michael McCurdy’s An Algonquian Year (2000); one would hate to choose between McCurdy’s illustrations and Azarian’s. (Picture book. 5-8)

Pub Date: Sept. 1, 2001

ISBN: 0-316-71317-1

Page Count: 32

Publisher: Little, Brown

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 2001

Categories:

CHILDREN'S SCIENCE & TECHNOLOGY

- BOOK REVIEW
THE TURKEY GIRL
adapted by Penny Pollock & illustrated by Ed Young

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THE WATER PRINCESS

by Susan Verde ; illustrated by Peter H. Reynolds ‧ RELEASE DATE: Sept. 13, 2016

Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...

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An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.

Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.

Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)

Pub Date: Sept. 13, 2016

ISBN: 978-0-399-17258-8

Page Count: 40

Publisher: Putnam

Review Posted Online: May 17, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S SCIENCE & TECHNOLOGY

- BOOK REVIEW
ARE YOU LISTENING?
by Susan Verde ; illustrated by Juliana Perdomo

- BOOK REVIEW
WHO I AM
by Susan Verde ; illustrated by Peter H. Reynolds

- BOOK REVIEW
CAN YOU SEE IT?
by Susan Verde ; illustrated by Juliana Perdomo

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WATER

by Frank Asch & edited by Frank Asch ‧ RELEASE DATE: March 1, 1995

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``Water is dew. Water is ice and snow.'' No matter what form it takes, seldom has plain old water appeared so colorful as in this rainbow-hued look at rain, dew, snowflakes, clouds, rivers, floods, and seas. Asch celebrates water's many forms with a succinct text and lush paintings done in mostly in softly muted watercolors of aqua, green, rose, blue, and yellow. They look as if they were created with a wet-on-wet technique that makes every hue lightly bleed into its neighbor. Water appears as ribbons of color, one sliding into the other, while objects that are not (in readers' minds) specifically water-like—trees, rocks, roots—are similarly colored. Perhaps the author intends to show water is everything and everything is water, but the concept is not fully realized for this age group. The whole is charming, but more successful as art than science. Though catalogued as nonfiction, this title will be better off in the picture book section. (Picture book/nonfiction. 5-7)