A tepid text for die-hard fans only.
A blogger tells—or retells—all.
Though you know him as Perez Hilton, he was born Mario Armando Lavandeira Jr. in 1978 to Cuban American parents in Miami. Shockingly dull until the celebrities begin to appear, the book, written with Eriksson and Svensson, contains surprisingly little insight about the allure of celebrity. “It’s strange, but when you’re young, you don’t think about the future at all,” writes Hilton in a typically banal passage. “As you get older, however, it’s all you ever think about.” Attempting to find his footing in the entertainment industry, he bounced between New York and Los Angeles “from fiasco to fiasco, with no idea that I’m at the start of a successful career.” His lucky break occurred when, working as a receptionist at the E! channel, he witnessed Janice Dickinson’s assistant stealing pills from her purse. “I stared at him, thinking, Man, this is wild!....Right there and then,” writes Hilton, “I felt an immediate urge to write about what I had just seen on my blog.” Soon thereafter, his blog was dubbed one of the most hated in Hollywood. By the mid-2000s, he had solidified his brand, coining celebrity nicknames (“Brangelina”) and defacing their online photos with crude drawings and captions. Around 2007, he writes, “the tone of my website went from bitchy to downright nasty. The more snarky names I gave the celebrities, the more penises or coke or boogers I drew on pictures of them, the more people visited my page. By this point I was getting between seven and eight million unique hits a day.” After the “hate storm” unleashed by his clueless “It Gets Better” video—he had failed to see the connection between the suicide of gay Rutgers student Tyler Clementi and his own ruthless outing of well-known people—he changed his tune. A little. On the whole, the narrative is fairly tame and unremarkable, featuring numerous pull-quotes and photos without captions, the cutest of which shows Hilton with his children.
A tepid text for die-hard fans only.Pub Date: Oct. 6, 2020
ISBN: 978-1-64160-404-8
Page Count: 304
Publisher: Chicago Review Press
Review Posted Online: July 28, 2020
Kirkus Reviews Issue: Aug. 15, 2020
BOOK REVIEW
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
An unflinching self-portrait.
The tumultuous life of a bisexual, autistic comic.
In her debut memoir, Scottish comedian Brady recounts the emotional turmoil of living with undiagnosed autism. “The public perception of autistics is so heavily based on the stereotype of men who love trains or science,” she writes, “that many women miss out on diagnosis and are thought of as studious instead.” She was nothing if not studious, obsessively focused on foreign languages, but she found it difficult to converse in her own language. From novels, she tried to gain “knowledge about people, about how they spoke to each other, learning turns of phrase and metaphor” that others found so familiar. Often frustrated and overwhelmed by sensory overload, she erupted in violent meltdowns. Her parents, dealing with behavior they didn’t understand—including self-cutting—sent her to “a high-security mental hospital” as a day patient. Even there, a diagnosis eluded her; she was not accurately diagnosed until she was 34. Although intimate friendships were difficult, she depicts her uninhibited sexuality and sometimes raucous affairs with both men and women. “I grew up confident about my queerness,” she writes, partly because of “autism’s lack of regard for social norms.” While at the University of Edinburgh, she supported herself as a stripper. “I liked that in a strip club men’s contempt of you was out in the open,” she admits. “In the outside world, misogyny was always hovering in your peripheral vision.” When she worked as a reporter for the university newspaper, she was assigned to try a stint as a stand-up comic and write about it; she found it was work she loved. After “about a thousand gigs in grim little pubs across England,” she landed an agent and embarked on a successful career. Although Brady hopes her memoir will “make things feel better for the next autistic or misfit girl,” her anger is as evident as her compassion.
An unflinching self-portrait.Pub Date: June 6, 2023
ISBN: 9780593582503
Page Count: 288
Publisher: Harmony
Review Posted Online: March 10, 2023
Kirkus Reviews Issue: April 1, 2023
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