by Pete Hamill ‧ RELEASE DATE: Jan. 17, 1996
This exemplary collection of journalism is fueled by a powerful nostalgia for a New York—and a world—that once was. Hamill (A Drinking Life, 1994, etc.) here gathers pieces that originally appeared in outlets like New York magazine, the Village Voice, and Esquire. Unlike much journalism, even the older pieces hold up to the passage of time, thanks to Hamill's gift for the right phrase and his eye for telling details. Of special interest are his observations on the New York of the 1950s; he writes with deep affection of bohemian Greenwich Village, full of characters like Joe Gould, ``who has translated Rimbaud into the language of seagulls and is writing the oral history of the world'' and the typographer Hans Hess, who ``once more insists upon the obvious superiority of Caslon over Garamond, except, of course, in boldface.'' It was a district full of bookstores and lively coffeehouses—all killed, Hamill writes, by television and its fundamentally antisocial impulse. Hamill does not reside in the past, however. His pieces on contemporary New York, police corruption in Miami, the inner workings of the drug trade, feminist censorship of pornography, and the latter-day Zapatista rebellion in Mexico show that his eyes are wide open to what is going on around him. Along the way, Hamill offers little asides on the craft of reporting. He recalls that Gene Krupa, the great jazz drummer, kept his internal metronome going by chanting ``lyonnaise potatoes and some pork chops'' to himself; Hamill took up the phrase as his own chant to coax along his battered Royal Standard typewriter. ``Even now, when a deadline is crashing upon me, I chant Krupa's mantra,'' he writes. Such artful glimpses into the reporter's daily work make this required reading for aspiring journalists. General readers will find a wealth in Hamill's pages as well.
Pub Date: Jan. 17, 1996
ISBN: 0-316-34104-5
Page Count: 432
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1995
Share your opinion of this book
More by Pete Hamill
BOOK REVIEW
by Pete Hamill
BOOK REVIEW
by Pete Hamill
BOOK REVIEW
by Pete Hamill
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Share your opinion of this book
More by E.T.A. Hoffmann
BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
Share your opinion of this book
More by Ludwig Bemelmans
BOOK REVIEW
developed by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.