by Pete Hamill ‧ RELEASE DATE: Jan. 19, 1994
None
Earnest memoir of Hamill's drinking days as a Brooklyn youth and young reporter. Now sober 20 years, Hamill (Tokyo Sketches, 1992, etc.) looks back on his family life in Brooklyn during the Depression and WW II, when his father Billy's drinking became a model for his own liquid career, despite a vow not to follow in dad's footsteps. As a young man in Ireland, Billy lost a leg playing soccer, but his agility as a player remained legendary as the author grew up. Alcohol, Hamill says, removed his father from any close contact with him or his mother, and the boy aged without any real models for family life. Hamill began drinking as a bonding exercise with his street buddies—but he felt apart from them anyway, was drawn to cartooning (he spells out the history of comic strips in great detail), and, later, took lessons from Burne Hogarth, writer/illustrator of the Tarzan comic strip. Hamill quit school to work in the Brooklyn Navy Yard, joined the Navy during the Korean War, later entered newspaper work as a rewrite man on the New York Post. Some background about the author's beloved Post and fellow reporters, editors, and columnists is included here, but this is no Front Page memoir in the manner of Ben Hecht. Hamill tells of watering holes favored by staffers; his lack of contact with his own wife and family; divorce; his entry into the celebrity life with Shirley MacLaine; travels in Mexico, Spain, and elsewhere; and of his putting down the glass forever on New Year's Eve 1972, doing it alone and without AA. Hamill's various ideas about why he drank are all welcome, but his more crushing humiliations as a drinker fail to make us squirm, while his readable, workaday, humorless style keeps this from placing among the more forceful books about alcoholism. Maybe it should have been a novel.
None NonePub Date: Jan. 19, 1994
ISBN: 0-316-34108-8
Page Count: 280
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1993
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by Richard Wright ‧ RELEASE DATE: Feb. 28, 1945
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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by Richard Wright ; illustrated by Nina Crews
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by Rebecca Skloot ‧ RELEASE DATE: Feb. 9, 2010
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and...
A dense, absorbing investigation into the medical community's exploitation of a dying woman and her family's struggle to salvage truth and dignity decades later.
In a well-paced, vibrant narrative, Popular Science contributor and Culture Dish blogger Skloot (Creative Writing/Univ. of Memphis) demonstrates that for every human cell put under a microscope, a complex life story is inexorably attached, to which doctors, researchers and laboratories have often been woefully insensitive and unaccountable. In 1951, Henrietta Lacks, an African-American mother of five, was diagnosed with what proved to be a fatal form of cervical cancer. At Johns Hopkins, the doctors harvested cells from her cervix without her permission and distributed them to labs around the globe, where they were multiplied and used for a diverse array of treatments. Known as HeLa cells, they became one of the world's most ubiquitous sources for medical research of everything from hormones, steroids and vitamins to gene mapping, in vitro fertilization, even the polio vaccine—all without the knowledge, must less consent, of the Lacks family. Skloot spent a decade interviewing every relative of Lacks she could find, excavating difficult memories and long-simmering outrage that had lay dormant since their loved one's sorrowful demise. Equal parts intimate biography and brutal clinical reportage, Skloot's graceful narrative adeptly navigates the wrenching Lack family recollections and the sobering, overarching realities of poverty and pre–civil-rights racism. The author's style is matched by a methodical scientific rigor and manifest expertise in the field.
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and Petri dish politics.Pub Date: Feb. 9, 2010
ISBN: 978-1-4000-5217-2
Page Count: 320
Publisher: Crown
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Jan. 1, 2010
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