KIRKUS REVIEW
After losing his hearing, a piano man finds new musical life. Lee plays piano with a combo at a jazz club. One night, his bandmates notice that he’s not hearing their notes; he’s afraid to admit that he’s losing his hearing. Eventually, the combo has to let him go. On the subway, Lee spots an ad for a school for the deaf. It’s a very cool place, and he finds he loves sign language. He and his new friends from the school have jam sessions, using sign language instead of instruments. They practice regularly; when they add a singer named Ellie, they’ve got a hot new combo that entertains commuters in the subway station. Lee’s happy again, as a deaf musician. Seeger and Jacobs’ hep narrative is studded with phonic gems (“Bomp,” “Phip,” “Doodle-bop-bop”), and Christie’s colorful paintings have a strong 1950s feel. An unusual story, both stylish and uplifting. (author note) (Picture book. 4-8)
