An excellent pop-culture biography.
Thorough portrait of “the Cute Beatle,” from his working-class childhood in Liverpool through his raucous years with the Fab Four and his continued musical output.
The Beatles are one of the most beloved rock bands of all time, and each member’s personal legacy is shaped by adoration, gossip and myth. This is especially true of McCartney, who receives long-overdue fair treatment in this insightful biography based on original interviews and careful research. Former People senior writer and current Oregonian pop-culture contributor Carlin (Catch a Wave: The Rise, Fall, and Redemption of the Beach Boys’ Brian Wilson, 2006, etc.) firmly establishes McCartney’s role as the Beatles’ music director and formal taskmaster. He also exposes the nuances of his brilliant yet highly competitive personal and professional relationship with John Lennon and debunks several myths regarding his role in the band’s dissolution and the bitter lawsuits that followed. Along with Yoko Ono, McCartney has often been construed in Beatles lore as the villain, while Lennon is elevated to sainthood. The reality was much more complicated, and Carlin’s balanced portrayal of all the Beatles’ virtues and flaws is commendable. He not only debunks several unflattering myths about McCartney, but is also just to Ono and shows Lennon at times to be quite cruel. Carlin’s metaphor for the band as a family—with McCartney as the hardworking, underappreciated mother, Lennon as the magnetic but ne’er-do-well father, George as the sulky teen and Ringo as the small child with a toy train—feels apt. While the book loses some of its tension and momentum in the later chapters, parts are still emotionally fraught, most notably McCartney’s last moments with his wife Linda, his messy divorce from Heather Mills and his reaction to Harrison’s death. Carlin intersperses the narrative with snippets of song lyrics, which are fitting at times but occasionally stall the narrative flow.
An excellent pop-culture biography.Pub Date: Nov. 3, 2009
ISBN: 978-1-4165-6209-2
Page Count: 400
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 15, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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