An excellent pop-culture biography.
Thorough portrait of “the Cute Beatle,” from his working-class childhood in Liverpool through his raucous years with the Fab Four and his continued musical output.
The Beatles are one of the most beloved rock bands of all time, and each member’s personal legacy is shaped by adoration, gossip and myth. This is especially true of McCartney, who receives long-overdue fair treatment in this insightful biography based on original interviews and careful research. Former People senior writer and current Oregonian pop-culture contributor Carlin (Catch a Wave: The Rise, Fall, and Redemption of the Beach Boys’ Brian Wilson, 2006, etc.) firmly establishes McCartney’s role as the Beatles’ music director and formal taskmaster. He also exposes the nuances of his brilliant yet highly competitive personal and professional relationship with John Lennon and debunks several myths regarding his role in the band’s dissolution and the bitter lawsuits that followed. Along with Yoko Ono, McCartney has often been construed in Beatles lore as the villain, while Lennon is elevated to sainthood. The reality was much more complicated, and Carlin’s balanced portrayal of all the Beatles’ virtues and flaws is commendable. He not only debunks several unflattering myths about McCartney, but is also just to Ono and shows Lennon at times to be quite cruel. Carlin’s metaphor for the band as a family—with McCartney as the hardworking, underappreciated mother, Lennon as the magnetic but ne’er-do-well father, George as the sulky teen and Ringo as the small child with a toy train—feels apt. While the book loses some of its tension and momentum in the later chapters, parts are still emotionally fraught, most notably McCartney’s last moments with his wife Linda, his messy divorce from Heather Mills and his reaction to Harrison’s death. Carlin intersperses the narrative with snippets of song lyrics, which are fitting at times but occasionally stall the narrative flow.
An excellent pop-culture biography.Pub Date: Nov. 3, 2009
ISBN: 978-1-4165-6209-2
Page Count: 400
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 15, 2009
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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