by Peter Benchley ‧ RELEASE DATE: July 1, 1991
At least Benchley (Rummies, 1989, etc.) didn't call it Tentacles—although he might have. Seventeen years after Jaws chewed up the bookracks, he now weaves another ripping sea-monster yarn, this one about an Architeuthis dux, or giant squid, menacing Bermuda. Benchley puts a 90's ecological spin on his story—the squid is on the prowl because its food supply has been diminished by wanton overfishing—but at bottom this is just another Jaws retread, opening, as did Jaws, with a night attack by the monster (here, on a castaway sailing couple) and concluding, as did Jaws, with a daylight frontal assault on a ship and crew determined to destroy it. In between, there's no romantic subplot like the one Spielberg discarded for his film of Jaws; the narrative is full- tilt action adventure, beginning with hero Whip Darling, the 41- year-old Bermudan fisherman who identifies the squid from its traces after it kills a pair of young twin divers, children of Manhattan media magnate Osborn Manning. Knowledge of the squid sends Bermuda tourism—and Darling's business—into a nose dive, but when a vengeance-minded Manning, accompanied by a Canadian squid-expert, tries to hire Darling to help hunt the squid, the Bermudian refuses: better poor than dead. He does agree to guide a submersible party, including a journalist and an obnoxious politico, to the squid's most likely haunt, leading to a terrific scene in which the hungry squid—still not fully revealed—toys with the submarine, then cracks it open to enjoy human-on-the-half- shell. Finally, Manning uses financial blackmail to force Darling to the hunt. The extended conclusion, surpassing Jaws's for excitement, sees the 100-foot squid climbing onto Darling's boat, tentacles and whips flying, eyes glowering, beak chomping, as Manning meets a predictable Ahab-like fate and Darling fights for his life. Although necessarily lacking the shock value of Jaws, this crafty, well-researched, exhilarating semi-sequel, powered by that marvelously demonic squid, who's every bit a match for the Great White, is bound to clamber way high up on the best-seller lists.
Pub Date: July 1, 1991
ISBN: 0-679-40355-8
Page Count: 384
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1991
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by Linda Hogan ‧ RELEASE DATE: Oct. 1, 1995
A meandering and didactic family saga by Chickasaw poet, novelist, and essayist Hogan (Dwellings, p. 835; Mean Spirit, 1990), a tale that attemptsÖ la Little Big Manto rewrite the history of the American West from a Native American perspective. At 17, Angela Jensen decides that it's time to untangle her family, a process she begins by going hometo a remote village in western Canada called Adam's Rib, a place she no longer even recognizes. Angela looks up Agnes Iron, her great-grandmother, whom she's never met, and is soon introduced to Bush, who looked after Angela's deranged mother, Hannah, and raised Angela herself after Hannah's early death. At first, it is information about her motherstories, accounts, explanationsthat most interests Angela, but eventually she understands that the history of her family is woven tightly into the history of her family's tribe and the bloody strife that has colored their lives ever since the white men came among them: ``For us, hell was cleared forests and killed animals. But for them, hell was this world in all its plenitude.'' The troubles have been carried down to the present day, except that now the threat is comprised not of missionaries and European settlers but of government authorities who want to develop the land out of existence through the construction of a mammoth hydroelectric power plant. As her consciousness is raised, Angela begins to recognize her real identity but desires, and the anger that she labors under throughoutand that finds expression mainly in the crudest caricatures of Western culture and North American history imaginableis relieved by the happy fulfillment of her romantic (rather than political) life: a fairy-tale marriage that seems in this terrain to be even more out-of-place than the dam would have been. Tediously obvious and overwritten; Hogan's characters are so excruciatingly limited to the representation of their cultures that they become little more than allegories, reducing the tale to agitprop.
Pub Date: Oct. 1, 1995
ISBN: 0-684-81227-4
Page Count: 320
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1995
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edited by Linda Hogan & Brenda Peterson
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Zoë Perry
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