Next book

STAR

HOW WARREN BEATTY SEDUCED AMERICA

A gripping portrait of a difficult talent.

Film historian Biskind (Gods and Monsters: Movers, Shakers, and Other Casualties of the Hollywood Machine, 2004, etc.) examines the eventful life and career of Warren Beatty, one of Hollywood’s last exemplars of old-school glamour and, evidently, as maddening an individual as ever graced the silver screen.

The author eschews delving into Beatty’s early life, beginning his narrative with the tyro’s early acting roles in theater and live television, when the actor established the twin poles of his persona—the intractable artiste and compulsive seducer of women. Restless, intelligent and secretive, Beatty wielded his charm and beauty as a weapon, using his skills in seduction to manipulate his way into stardom despite a difficult reputation and multiple flops, leaving a bloody trail of broken hearts and damaged careers in his wake. His romances with the likes of Joan Collins, Leslie Caron, Natalie Wood, Diane Keaton and Madonna echo the pattern of relationships with screenwriters including Robert Towne, James Toback and Elaine May: Beatty would charm, overwhelm and drain the object of his attentions, ruthlessly move on when it suited his agenda and yet maintain good relations down the line. Beatty’s parallel career as a political agitator bore the hallmarks of his film work—compromised by indecisiveness and ego. Biskind brings his historian’s acumen to bear on the production of era-defining triumphs like Bonnie and Clyde (1967), Shampoo (1975) and Reds (1981), as well as notorious flops like Ishtar (1987), Love Affair (1994) and Town & Country (2001), and his accounts are full of juicy gossip and intriguing insights into the actor’s psychology. As a producer and director, Beatty demonstrated a compulsive nature bordering on psychosis, demanding endless takes and micromanaging insignificant details that drove his projects wildly over schedule and budget and threatened the studios that backed them.

A gripping portrait of a difficult talent.

Pub Date: Jan. 5, 2010

ISBN: 978-0-7432-4658-3

Page Count: 688

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

Next book

GIRL, INTERRUPTED

When Kaysen was 18, in 1967, she was admitted to McLean Psychiatric Hospital outside Boston, where she would spend the next 18 months. Now, 25 years and two novels (Far Afield, 1990; Asa, As I Knew Him, 1987) later, she has come to terms with the experience- -as detailed in this searing account. First there was the suicide attempt, a halfhearted one because Kaysen made a phone call before popping the 50 aspirin, leaving enough time to pump out her stomach. The next year it was McLean, which she entered after one session with a bullying doctor, a total stranger. Still, she signed herself in: ``Reality was getting too dense...all my integrity seemed to lie in saying No.'' In the series of snapshots that follows, Kaysen writes as lucidly about the dark jumble inside her head as she does about the hospital routines, the staff, the patients. Her stay didn't coincide with those of various celebrities (Ray Charles, Sylvia Plath, Robert Lowell), but we are not likely to forget Susan, ``thin and yellow,'' who wrapped everything in sight in toilet paper, or Daisy, whose passions were laxatives and chicken. The staff is equally memorable: ``Our keepers. As for finders—well, we had to be our own finders.'' There was no way the therapists—those dispensers of dope (Thorazine, Stelazine, Mellaril, Librium, Valium)—might improve the patients' conditions: Recovery was in the lap of the gods (``I got better and Daisy didn't and I can't explain why''). When, all these years later, Kaysen reads her diagnosis (``Borderline Personality''), it means nothing when set alongside her descriptions of the ``parallel universe'' of the insane. It's an easy universe to enter, she assures us. We believe her. Every word counts in this brave, funny, moving reconstruction. For Kaysen, writing well has been the best revenge.

Pub Date: June 1, 1993

ISBN: 0-679-42366-4

Page Count: 176

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1993

Next book

WALK THROUGH WALLS

A MEMOIR

Her biographer, James Westcott, once said: “every time she tells a story, it gets better,” and one can’t help but wait in...

Legendary performance artist Abramovic unveils her story in this highly anticipated memoir.

When she was growing up, the author lived in an environment of privilege in Yugoslavia, which was on the verge of ruin. Her parents, two fervent communist partisans and loyal officers during Josip Broz Tito’s rule, were not the warmest people. Abramovic was put under the care of several people, only to be taken in by her grandmother. “I felt displaced and I probably thought that if I walked, it meant I would have to go away again somewhere,” she writes. Ultimately, she carried this feeling of displacement throughout most, if not all, of her career. Many remember The Artist Is Present, her 2010 performance at the Museum of Modern Art in New York during which she sat in front of museumgoers for 736 hours, but her work started long before then. As a woman who almost single-handedly launched female performance art, the author has spent the better part of her life studying the different ways in which the body functions in time and space. She pushed herself to explore her body’s limits and her mind’s boundaries (“I [have] put myself in so much pain that I no longer [feel] any pain”). For example, she stood in front of a bow and arrow aimed at her heart with her romantic and performance partner of 12 years, Ulay. She was also one of the first people to walk along the Great Wall of China, a project she conceived when secluded in aboriginal Australia. While the author’s writing could use some polishing, the voice that seeps through the text is hypnotizing, and readers will have a hard time putting the book down and will seek out further information about her work.

Her biographer, James Westcott, once said: “every time she tells a story, it gets better,” and one can’t help but wait in anticipation of what she is concocting for her next tour de force.

Pub Date: Oct. 25, 2016

ISBN: 978-1-101-90504-3

Page Count: 384

Publisher: Crown Archetype

Review Posted Online: Aug. 20, 2016

Kirkus Reviews Issue: Sept. 1, 2016

Close Quickview