None
Returning to the historical territory—19th-century Australia and England—of his Booker-winning Oscar and Lucinda (1988), Carey sets his sights on 1830s London, where an exiled convict has returned to breathe the air of home and to see his beloved son. Pardoned and prosperous in New South Wales, but still under penalty of death if discovered in England, the fearless Jack Maggs steps out of a coach one evening in London to search for Henry Phipps, the boy he had left behind years before. He discovers Phipps's house, but, finding no one home, Maggs seeks employment as a neighbor's footman in order to keep an eye out for his son's return. That night, at a literary dinner hosted by his new employer, Maggs makes the acquaintance of an up-and-coming young writer, Tobias Oates, whose skill as a mesmerist is needed to cure Maggs of a "fit." Oates, penetrating his "patient's" ruses, recognizes a motherlode of material waiting to be tapped, and offers the man a deal: the name of someone who can locate Phipps in exchange for two weeks of demonstrating his ability to engage Maggs's fit-inducing demons through hypnosis. As they meet, however, other forces conspire to alter the scheme of things. During his wife's confinement, Oates began an affair with her sister, who now reveals that she too is pregnant. At the same time, a maid in the household where Maggs works has set her cap for him, arousing jealousy in his employer. To top things off, Phipps is revealed to be in hiding nearby, terrified of being disinherited by the man who spared no expense for him but who—he knows—isn't really his father. Making his way through Carey's complexities of plot, Maggs is gradually and sure-handedly revealed as being honest, fierce, and fabulously deluded. His incessant letter-writing, though, used to explain his past to his boy (and to us), proves a cumbersome device.
None NonePub Date: Feb. 1, 1998
ISBN: 0-679-44008-9
Page Count: 320
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1997
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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