by Peter Cheong ; illustrated by Peter Cheong ‧ RELEASE DATE: Oct. 8, 2024
A visually compelling, though at times cryptic, homage to the lure of adventure and the promise of home.
A child embarks on a fantastical underwater adventure with mermaids.
The tan-skinned, black-haired protagonist befriends a mermaid, who gives the child a necklace. The youngster shows the gift to an adult, who inexplicably recoils and confiscates it. The child secretly finds the necklace, races down the dock, and dives into the water, where the mermaid awaits. In a nod to fairy-tale lore, the necklace gives the child the ability to stay underwater indefinitely. Other mermaids join the two, and the protagonist marvels at the beauty of marine life. But seeing a mermaid parent and child awakens old memories in the youngster. “I’ve had the most wonderful time,” the child says. “But I’m coming back home.” Minimal text describes the basics of the story but at times feels superfluous; the bulk of the narrative is propelled by the striking illustrations. Bold blues, oranges, and greens in textured strokes dominate the dramatic artwork. Though the characters are wonderfully expressive, readers may be confused about some elements of the plot, depending on what details they notice or overlook. Those who start reading after the title page, for instance, may wonder where the necklace came from; they’ll need to flip back to see the earlier pages that show the mermaid giving it to the protagonist.
A visually compelling, though at times cryptic, homage to the lure of adventure and the promise of home. (Picture book. 4-8)Pub Date: Oct. 8, 2024
ISBN: 9781250907578
Page Count: 32
Publisher: Henry Holt
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
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by Peter Cheong ; illustrated by Peter Cheong
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Marilyn Sadler ; illustrated by Stephanie Laberis
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by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
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by Marilyn Sadler ; illustrated by Ard Hoyt
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