A rousing adventure novel that marries steampunk aesthetics to the seminal concept of protecting American liberty.

PARADOX BOUND

An aimless young man escapes his dead-end town when he meets a badass, time-traveling adventuress.

Well, it’s just about weird enough in America now for us to deserve a timey-wimey, full-barrel adventure novel from professional noodle-bender Clines (Ex-Isle, 2016, etc.) that also teaches a non-ironic lesson in American civics. One night 8-year-old Eli Teague of tiny Sanders, Maine, comes upon a woman decked out in Revolutionary War attire, complete with pistols, driving a souped-up 1929 Model A. He sees her briefly again at age 13, when he discovers her name is Harry. He’s finally drawn fully into her world at the age of 29. Harry Pritchard is a Searcher, a member of a shadowy alliance called The Chain, and can move back and forth through history. She is searching for the literal “American Dream,” a powerful incarnation of the values of the Founding Fathers, who summoned the Egyptian God of Creation to forge their totem—not as weird as it sounds. The American Dream was long protected by creepy murderous guardians called the faceless men, but the Dream was spirited away in the early 1960s. Now Harry and her companions use temporal anomalies called “slick spots” to flit through two centuries of American history. They’re hotly pursued by the faceless men, who now number Eli’s childhood bully among them. On their travels to pursue Harry’s leads, we meet a James Dean who faked his own death to search for the American Dream and the folkloric icon John Henry as well as other curious people who helped shape American history. Clines even throws in a few in-jokes for fun—the "transparent aluminum defense" is funny enough to trigger a spit take. Eli is a fine avatar for the reader but it’s Harry’s epithet-wielding, pistol-packing heroine that will capture hearts.

A rousing adventure novel that marries steampunk aesthetics to the seminal concept of protecting American liberty.

Pub Date: Sept. 26, 2017

ISBN: 978-0-553-41833-0

Page Count: 384

Publisher: Crown

Review Posted Online: July 4, 2017

Kirkus Reviews Issue: July 15, 2017

Did you like this book?

No Comments Yet

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Reader Votes

  • Readers Vote
  • 11

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

Did you like this book?

An almost-but-not-quite-great slavery novel.

Reader Votes

  • Readers Vote
  • 12

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2019

  • New York Times Bestseller

  • IndieBound Bestseller

THE WATER DANCER

The celebrated author of Between the World and Me (2015) and We Were Eight Years in Power (2017) merges magic, adventure, and antebellum intrigue in his first novel.

In pre–Civil War Virginia, people who are white, whatever their degree of refinement, are considered “the Quality” while those who are black, whatever their degree of dignity, are regarded as “the Tasked.” Whether such euphemisms for slavery actually existed in the 19th century, they are evocatively deployed in this account of the Underground Railroad and one of its conductors: Hiram Walker, one of the Tasked who’s barely out of his teens when he’s recruited to help guide escapees from bondage in the South to freedom in the North. “Conduction” has more than one meaning for Hiram. It's also the name for a mysterious force that transports certain gifted individuals from one place to another by way of a blue light that lifts and carries them along or across bodies of water. Hiram knows he has this gift after it saves him from drowning in a carriage mishap that kills his master’s oafish son (who’s Hiram’s biological brother). Whatever the source of this power, it galvanizes Hiram to leave behind not only his chains, but also the two Tasked people he loves most: Thena, a truculent older woman who practically raised him as a surrogate mother, and Sophia, a vivacious young friend from childhood whose attempt to accompany Hiram on his escape is thwarted practically at the start when they’re caught and jailed by slave catchers. Hiram directly confronts the most pernicious abuses of slavery before he is once again conducted away from danger and into sanctuary with the Underground, whose members convey him to the freer, if funkier environs of Philadelphia, where he continues to test his power and prepare to return to Virginia to emancipate the women he left behind—and to confront the mysteries of his past. Coates’ imaginative spin on the Underground Railroad’s history is as audacious as Colson Whitehead’s, if less intensely realized. Coates’ narrative flourishes and magic-powered protagonist are reminiscent of his work on Marvel’s Black Panther superhero comic book, but even his most melodramatic effects are deepened by historical facts and contemporary urgency.

An almost-but-not-quite-great slavery novel.

Pub Date: Sept. 24, 2019

ISBN: 978-0-399-59059-7

Page Count: 432

Publisher: One World/Random House

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: July 15, 2019

Did you like this book?

more