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SLEEPING WHERE I FALL

This autobiographical look at 1960s hippie culture from the point of view of actor Coyote (E.T., Outrageous Fortune, etc.) tends more toward observation than introspection. Coyote began his sojourn in the counterculture with the San Francisco Mime Troupe—a ground-breaking experiment in political theater that led almost immediately to Coyote’s long-standing association with the strongly antiestablishment Digger group, which preached a sort of Emersonian self-reliance based on the philosophical freedoms of mankind—which included the freedom, for instance, to steal what you think is yours. Coyote wandered from commune to commune, all the while crossing paths with the famous and soon-to-be-famous, including music promoter Bill Graham, the musician Michael Bloomfield, and the Beat poet Gary Snyder. In the meantime, he also made the acquaintance of several members of the notorious Hell’s Angels motorcycle gang, and these connections and other societal pressures led Coyote into a heroin habit that was —cured— only after he was treated by an Indian shaman. Still, after this —cure— Coyote continues to abuse drugs. Because he never does fully address the matter of his drug dependence, or his complex relationship with Sam, his lover and the mother of his daughter, the book never seems to have much heft as a self-excavation. It’s really only Coyote’s troubled relationship with his abusive but brilliant father that gets the attention from the author that it requires. Equally disturbing and unexamined are Coyote’s friendships with the openly racist Hell’s Angels, as well as the frequent appearance of guns in what many might assume had been a peaceful subculture. (A part of this book, under the title —Carla’s Story,— won the 1994 Pushcart Prize for nonfiction.)

Pub Date: May 1, 1998

ISBN: 1-887178-67-8

Page Count: 368

Publisher: Counterpoint

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1998

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BUCK

A MEMOIR

Asante is a talented writer, but his memoir is undernourished.

A young black man’s self-destructive arc, cut short by a passion for writing.

Asante’s (It’s Bigger than Hip-Hop, 2008, etc.) memoir, based on his teenage years in inner-city Philadelphia, undoubtedly reflects the experiences of many African-American youngsters today in such cities. By age 14, the author was an inquisitive, insecure teen facing the hazards that led his beleaguered mother, a teacher, to warn him, “[t]hey are out there looking for young black boys to put in the system.” This was first driven home to Asante when his brother received a long prison sentence for statutory rape; later, his father, a proud, unyielding scholar of Afrocentrism, abruptly left under financial strain, and his mother was hospitalized after increasing emotional instability. Despite their strong influences, Asante seemed headed for jail or death on the streets. This is not unexplored territory, but the book’s strength lies in Asante’s vibrant, specific observations and, at times, the percussive prose that captures them. The author’s fluid, filmic images of black urban life feel unique and disturbing: “Fiends, as thin as crack pipes, dance—the dancing dead….Everybody’s eyes curry yellow or smog gray, dead as sunken ships.” Unfortunately, this is balanced by a familiar stance of adolescent hip-hop braggadocio (with some of that genre’s misogyny) and by narrative melodrama of gangs and drug dealing that is neatly resolved in the final chapters, when an alternative school experience finally broke through Asante’s ennui and the murderous dealers to whom he owed thousands were conveniently arrested. The author constantly breaks up the storytelling with unnecessary spacing, lyrics from (mostly) 1990s rap, excerpts from his mother’s journal, letters from his imprisoned brother, and quotations from the scholars he encountered on his intellectual walkabout in his late adolescence. Still, young readers may benefit from Asante’s message: that an embrace of books and culture can help one slough off the genuinely dangerous pathologies of urban life.

Asante is a talented writer, but his memoir is undernourished.

Pub Date: Aug. 20, 2013

ISBN: 978-0-8129-9341-7

Page Count: 272

Publisher: Spiegel & Grau

Review Posted Online: July 6, 2013

Kirkus Reviews Issue: July 15, 2013

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THE GIRL WITH SEVEN NAMES

A NORTH KOREAN DEFECTOR'S STORY

Remarkable bravery fluently recounted.

The ably reconstructed story of the author’s convoluted escape from North Korea, detailing the hardships of life there and the serendipity of flight.

A supremely determined young woman, Lee chronicles her life in North Korea and her defection in her late teens in 1998. With the assistance of co-author John, she re-creates a picaresque tale of incredible, suspenseful, and truly death-defying adventures, which eventually led her to asylum in South Korea and then America. The author grew up largely in the northeast province of Ryanggang, bordering the Yalu River with China, and her family home was in Hyesan. Her father was a privileged member of the military, and her enterprising mother was a successful trader on the black market. The family, including younger brother Min-ho, did not endure the hardships of famine like people of low songbun, or caste, but the author learned that her father was not her biological father only shortly before he died by suicide after being trailed by security, beaten, and imprisoned in her mid-teens. Her mother had previously married and divorced another man. At age 17, the lights of China, directly across the river, beckoned, and the author managed to cross and establish contact first with a trading partner of her mother’s, then dissident relatives of her father’s in Shenyang. While the author had no intention of leaving her mother, it was apparent that it was too dangerous for her to return. Her relatives shielded her for a few years, trying to arrange a marriage with a wealthy Korean-Chinese man, from whom the author fled at the eleventh hour. Working as a waitress in Shanghai afforded some invisibility, though she was always susceptible to con men and security police. As the narrative progresses, the author’s trials grow ever more astounding, especially as she eventually tried to get her mother and brother out of North Korea.

Remarkable bravery fluently recounted.

Pub Date: July 7, 2015

ISBN: 978-0-00-755483-6

Page Count: 320

Publisher: Harper360

Review Posted Online: May 18, 2015

Kirkus Reviews Issue: June 1, 2015

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