by Peter Coyote ‧ RELEASE DATE: May 1, 1998
This autobiographical look at 1960s hippie culture from the point of view of actor Coyote (E.T., Outrageous Fortune, etc.) tends more toward observation than introspection. Coyote began his sojourn in the counterculture with the San Francisco Mime Troupe—a ground-breaking experiment in political theater that led almost immediately to Coyote’s long-standing association with the strongly antiestablishment Digger group, which preached a sort of Emersonian self-reliance based on the philosophical freedoms of mankind—which included the freedom, for instance, to steal what you think is yours. Coyote wandered from commune to commune, all the while crossing paths with the famous and soon-to-be-famous, including music promoter Bill Graham, the musician Michael Bloomfield, and the Beat poet Gary Snyder. In the meantime, he also made the acquaintance of several members of the notorious Hell’s Angels motorcycle gang, and these connections and other societal pressures led Coyote into a heroin habit that was —cured— only after he was treated by an Indian shaman. Still, after this —cure— Coyote continues to abuse drugs. Because he never does fully address the matter of his drug dependence, or his complex relationship with Sam, his lover and the mother of his daughter, the book never seems to have much heft as a self-excavation. It’s really only Coyote’s troubled relationship with his abusive but brilliant father that gets the attention from the author that it requires. Equally disturbing and unexamined are Coyote’s friendships with the openly racist Hell’s Angels, as well as the frequent appearance of guns in what many might assume had been a peaceful subculture. (A part of this book, under the title —Carla’s Story,— won the 1994 Pushcart Prize for nonfiction.)
Pub Date: May 1, 1998
ISBN: 1-887178-67-8
Page Count: 368
Publisher: Counterpoint
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1998
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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