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THE ABYSS BEYOND DREAMS

From the Chronicle of the Fallers series , Vol. 1

Solidly engrossing fare for the series’ faithful.

Doorstopper—not that Hamilton writes anything else—first entry of a new two-book saga set in his popular Commonwealth universe (The Evolutionary Void, 2010, etc.).

The Void, an enigmatic space-time construct at the core of the galaxy, is difficult to penetrate and—apparently—impossible to escape from. Worse, at any moment it may expand uncontrollably and swallow all life in the galaxy. The Void’s boundaries are guarded by the elephantlike Raiel in a million-year-long vigil. In the year 3326, Nigel Sheldon, 1,000 years old and one of the founders of the Commonwealth, receives a visit from Vallar, a Raiel, who persuades him to help develop a scheme to infiltrate the Void. The only knowledge of conditions inside the Void comes from the Dreamer, Edeard of planet Querencia, who unfortunately is dead. Once the Raiel punch Nigel through into the Void, a Skylord, one of a space-going alien race that act as conductors of souls inside the Void, leads him to Bienvenido, a planet whose human civilization derives from a colony expedition that vanished from the Commonwealth 200 years ago. He learns several crucial facts: Here in the Void, mental powers such as telepathy work, a limited form of time travel is possible, and the planet suffers relentless assaults from the Fallers, a cannibalistic alien species of biological mimics. In order to test his theories of how the Void might be destroyed, Nigel needs to learn what the locals know. Unfortunately, their civilization is corrupt, sclerotic, totalitarian and, understandably, paranoid about the Faller threat. The characters, always Hamilton’s strength, remain as distinctive as ever, even when the book’s taken over by what at first glance seems only a subplot. And even when the ideas are shaky, there’s always the time-travel gimmick to iron out any wrinkles.

Solidly engrossing fare for the series’ faithful.

Pub Date: Oct. 21, 2014

ISBN: 978-0-345-54719-4

Page Count: 640

Publisher: Del Rey/Ballantine

Review Posted Online: Oct. 4, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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I, ROBOT

A new edition of the by now classic collection of affiliated stories which has already established its deserved longevity.

Pub Date: Aug. 16, 1963

ISBN: 055338256X

Page Count: -

Publisher: Doubleday

Review Posted Online: Sept. 13, 2011

Kirkus Reviews Issue: Aug. 1, 1963

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OTAKU

Irredeemable in any world, real or virtual.

In this cyberpunk fiction debut, a massively popular online game has real-world consequences.

Ashley Akachi is a mixed-race woman who’s known as “Ashura the Terrible” to millions of fans of Infinite Game, which is watched around the world. In a near-future Florida that’s half drowned by rising sea levels, she sits inside a haptic chamber that converts her movements into gameplay in the ultraviolent competition. Former NFL player Kluwe (Beautifully Unique Sparkleponies, 2013) describes the game’s mechanics at length, at times giving the book the feel of watching someone else play a video game. (The game’s racist and misogynist online message boards also feature prominently.) Eventually, Ash uncovers a vast conspiracy involving not only Infinite Game, but also her love interest, Hamlin, who’s hiding a secret of his own. Unfortunately, there’s not enough space in this brief review to examine everything that’s obnoxious or distasteful in this novel, from its opening bullet-point infodump, lazily passed off as worldbuilding, to its eye-rolling last line. One may wonder if any women were involved in this book’s publication in any meaningful way. Only a male author could believe a woman thinks about “dicks” this often; when facing gender inequality, Ash huffs, “Must be nice to have a dick”; before castrating a would-be rapist, she scoffs, “You thought your dick made you a man? You’ll never be a man again.” Characters' attacks on Ash are all viciously gender-specific; in addition to being threatened with rape throughout, she's repeatedly called “slut,” “whore,” and “cunt.” Meanwhile, Ash herself reads like an unintentional parody of an empowered woman; she leers suggestively at a woman’s behind and then laments her small bust size, at length, before deciding “boobs are overrated.” At the book’s climax, Ash thinks that she’s “so tired of shitty men and their shitty dreams.” After reading this, readers will surely feel the same.

Irredeemable in any world, real or virtual.

Pub Date: March 3, 2020

ISBN: 978-1-250-20393-9

Page Count: 352

Publisher: Tor

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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