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IN THE ARMS OF OTHERS

A CULTURAL HISTORY OF THE RIGHT-TO-DIE IN AMERICA

A well-crafted history weaving together the complex legal, moral, political, psychological, and social issues surrounding the right-to-die movement in the US. Filene (author of Him/Her/Self, 1975, and the novel Home and Away, 1992), a professor of history at the University of North Carolina, focuses on the Karen Ann Quinlan case, which he calls an “earthquake” that “reshaped the cultural landscape.” He places this pivotal event in historical context, tracing the evolution of the concept of euthanasia from the 19th-century idea of the easy, natural death to that of mercy killing by a physician, and, in the midst of growing concern about medical technology’s ability to prolong the dying process, the emergence of a new concept, the right to die. Filene describes the right-to-die movement as a river fed by two dynamic social forces of the 1960s, the therapeutic human-potential movement and the equal-rights movement, and he shows how the notion of medical civil rights has fared in hospitals, courts, and legislatures in the last two decades. He analyzes the shifting attitudes toward assisted suicide and documents the advent of and growing interest in living wills, devices whose shortcomings he is careful to point out. Death, he notes, must be viewed in a cultural context, and he offers two contrasting ones: Bali, where the death of an individual is celebrated by the whole community, and the Netherlands, where a consensus has been reached that the individual has the right to a doctor’s help in dying. As a society, Filene says, we are moving toward acceptance of physician-assisted suicide, but death with dignity will remain elusive until health care is available for all and the comfort care of hospices is widespread—and until we understand that our much-valued autonomy depends on relatedness to others. Thoughtful study that brings needed clarity and perspective to a serious and controversial issue. (b&w illustrations, not seen)

Pub Date: June 5, 1998

ISBN: 1-56663-188-2

Page Count: 320

Publisher: Ivan Dee/Rowman & Littlefield

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1998

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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