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COMEBACK LOVE

Grab a handful of tissues, think The Notebook and then start speculating on actors best suited to bring Gordon and Glenna to...

Golden’s breakout debut fiction is a passionate, yet melancholy, story of love, loss and reconciliation.

It’s 1968. Gordon Meyers is stumbling through Brooklyn College, reading about Vietnam and contemplating his father’s World War II heroism and Silver Star. He has a 2S deferment, and his mother is happy, but Gordon is unsettled, grasping onto the idea he could be a writer. With his uncle’s help, Gordon gets a gig writing freelance features for Long Island Press. His first assignment is to write a piece on a group of medical students lobbying for legalized abortion. In the process, Gordon interviews Glenna Rising, a dazzlingly beautiful and casually sexy medical student. Attraction is immediate, and soon Gordon takes up residence in Glenna’s apartment in an old white colonial house in the Bronx, an idyllic place she shares with fellow medical students Palmer, WASP through and through, quickly nicknamed Biff the Brooks Brothers Mouse by Gordon, and zaftig Robin, a nominal political radical. Golden’s novel follows Gordon and Glenna’s love from the 1960s to a final reunion three decades later. The author writes familiarly of young love’s angst and immaturity, insecurities and circumventions. The young lovers struggle to find a life together against a backdrop of social uncertainties, ambition and family drama, each burdened by shadows of their past. Glenna is consumed by medical studies and part-time work in an illicit abortion enterprise. Gordon is confused by his ambitions and shadowed by his desire to experience war. Then comes the inevitable breakup. Glenna drifts; Gordon is drafted. There is marriage and a son for Gordon and a marriage of safety and convenience for Glenna. Finally in the midst of a snowstorm, Gordon is inexorably drawn to see Glenna again, not to dispense with ghosts from the past but rather as part of “the long, jagged arc” of his life.

Grab a handful of tissues, think The Notebook and then start speculating on actors best suited to bring Gordon and Glenna to the big screen. 

Pub Date: April 3, 2012

ISBN: 978-1-4516-5632-9

Page Count: 240

Publisher: Washington Square/Pocket

Review Posted Online: March 18, 2012

Kirkus Reviews Issue: April 1, 2012

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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