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COMEBACK LOVE

Grab a handful of tissues, think The Notebook and then start speculating on actors best suited to bring Gordon and Glenna to...

Golden’s breakout debut fiction is a passionate, yet melancholy, story of love, loss and reconciliation.

It’s 1968. Gordon Meyers is stumbling through Brooklyn College, reading about Vietnam and contemplating his father’s World War II heroism and Silver Star. He has a 2S deferment, and his mother is happy, but Gordon is unsettled, grasping onto the idea he could be a writer. With his uncle’s help, Gordon gets a gig writing freelance features for Long Island Press. His first assignment is to write a piece on a group of medical students lobbying for legalized abortion. In the process, Gordon interviews Glenna Rising, a dazzlingly beautiful and casually sexy medical student. Attraction is immediate, and soon Gordon takes up residence in Glenna’s apartment in an old white colonial house in the Bronx, an idyllic place she shares with fellow medical students Palmer, WASP through and through, quickly nicknamed Biff the Brooks Brothers Mouse by Gordon, and zaftig Robin, a nominal political radical. Golden’s novel follows Gordon and Glenna’s love from the 1960s to a final reunion three decades later. The author writes familiarly of young love’s angst and immaturity, insecurities and circumventions. The young lovers struggle to find a life together against a backdrop of social uncertainties, ambition and family drama, each burdened by shadows of their past. Glenna is consumed by medical studies and part-time work in an illicit abortion enterprise. Gordon is confused by his ambitions and shadowed by his desire to experience war. Then comes the inevitable breakup. Glenna drifts; Gordon is drafted. There is marriage and a son for Gordon and a marriage of safety and convenience for Glenna. Finally in the midst of a snowstorm, Gordon is inexorably drawn to see Glenna again, not to dispense with ghosts from the past but rather as part of “the long, jagged arc” of his life.

Grab a handful of tissues, think The Notebook and then start speculating on actors best suited to bring Gordon and Glenna to the big screen. 

Pub Date: April 3, 2012

ISBN: 978-1-4516-5632-9

Page Count: 240

Publisher: Washington Square/Pocket

Review Posted Online: March 18, 2012

Kirkus Reviews Issue: April 1, 2012

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THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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