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THE LADYKILLERS WAR

FROM THE CASE FILES OF MAX CHRISTIAN, PI

An exceptional series entry with a remarkable private detective and strong supporting characters.

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In this fifth installment of a series, a New York City private eye hunts a murderous group targeting newly elected female politicians, including his wife.

Max Christian has supported his wife, Meridew, during her congressional run and eventual triumph, though he’s dreading the New York to Washington, D.C., commute. But the private investigator has good reason to worry after a call from police detective Tina Falcone, his friend and former partner at Manhattan South homicide. Tina tells Max of an active-shooter incident in the Bronx in which the victims were a just-elected congresswoman, her family, and her campaign manager. The shooter, who’s currently in the hospital, had a note indicating he’s a member of an organization that is after “man-hating females” in Congress. Suspecting his wife may be a target, Max enlists the help of Florida-based PI pal Nick Testa, who sends his trusted private detective colleague Ray Peterson to keep an eye on Meridew. Nick, meanwhile, chases a bail jumper, Lanny Griggs, who happens to belong to the same group of domestic terrorists—called the LadyKillers Liberation Army. This band has already murdered another congresswoman, along with her family, considered “collateral damage.” Max, Tina, and Nick gather information and track down other members of the so-called army, who, along with an incel mindset, have a fear of women “taking over the world.” The three detectives, joined by Max’s PI partner, who calls himself Ahab, employ occasionally brutal techniques to get some people to talk. They hope to stop the group as well as its elusive leader, “the Colonel,” before Meridew or any other female politician dies.

Goldman, who wrote the novel with PI Malatesta, offers a sharp and focused series entry. For example, despite numerous characters, who include Nick’s goddaughter, Dani, acting as a bodyguard for another congresswoman, the tale rarely strays from the main plot. As in preceding installments, various conversations dominate the pages. In this case, Max and others are determined to extract intelligence from suspects, which entails such acts as physical abuse and unlawful detainment. But readers won’t likely sympathize with these men or the loathsome statements they brazenly make about women. Standouts in the story’s cast are female characters, particularly Meridew and Tina. The former’s refusal to “hide” or cower from the terrorists isn’t stubborn or reckless; it’s instead sheer tenacity, as she affirms that she represents the people who voted her into office. Similarly, Tina, who’s more by-the-books than Max and Nick, displays an impressive amount of restraint when questioning a suspect who insults her both as a woman and a lesbian. Tina also has some of the best lines, which are indicative of Goldman’s keen dialogue. While complaining about the FBI, she asserts: “These feebs are a bunch of suit-and-tie guys with spit-polished black Florsheims. You’ve seen ’em work—they only move around in pairs, like Siamese twins checking up on each other.” Even if tracking down terrorist suspects involves minimal mystery and investigation, there are still surprises in the final act and ultimate wrap-up.

An exceptional series entry with a remarkable private detective and strong supporting characters.

Pub Date: N/A

ISBN: N/A

Page Count: 260

Publisher: Manuscript

Review Posted Online: May 1, 2020

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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CAMINO GHOSTS

Fine Grisham storytelling that his fans will enjoy.

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A descendant of enslaved people fights a Florida developer over the future of a small island.

In 1760, the slave ship Venus breaks apart in a storm on its way to Savannah, and only a few survivors, all Africans, find their way safely to a tiny barrier island between Florida and Georgia. For two centuries, only formerly enslaved people and their descendants live there. A curse on white people hangs over the island, and none who ever set foot on it survive. Its last resident was Lovely Jackson, who departed as a teen in 1955. Today—well, in 2020—a developer called Tidal Breeze wants Florida’s permission to “develop” Dark Isle, which sits within bridge-building distance from the well-established Camino Island. The plot is an easy setup for Grisham, big people vs. little people. Lovely’s revered ancestors are buried on Dark Isle, which Hurricane Leo devastated from end to end. Lovely claims the islet’s ownership despite not having formal title, and she wants white folks to leave the place alone. But apparently Florida doesn’t have enough casinos and golf courses to suit some people. Surely developers can buy off that little old Black lady with a half million bucks. No? How about a million? “I wish they’d stop offering money,” Lovely complains. “I ain’t for sale.” Thus a non-jury court trial begins to establish ownership. The story has no legal fireworks, just ordinary maneuvering. The real fun is in the backstory, in the portrayal of the aptly named Lovely, and the skittishness of white people to step on the island as long as the ancient curse remains. Lovely has self-published a history of the island, and a sympathetic white woman named Mercer Mann decides to write a nonfiction account as well. When that book ultimately comes out, reviewers for Kirkus (and others) “raved on and on.” Don’t expect stunning twists, though early on Dark Isle gives four white guys a stark message. The tension ends with the judge’s verdict, but the remaining 30 pages bring the story to a satisfying conclusion.

Fine Grisham storytelling that his fans will enjoy.

Pub Date: May 28, 2024

ISBN: 9780385545990

Page Count: 304

Publisher: Doubleday

Review Posted Online: March 23, 2024

Kirkus Reviews Issue: April 15, 2024

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