Precarious politics take precedence over murder in this striking genre entry.
Private eye Max Christian helps a friend who’s running for Congress and enters a seedy world of murder, drugs, and politics in Goldman’s (The Last Minstrel Show, 2012, etc.) latest thriller.
Max’s newest case seems like an easy one at first. His friend, Edith Clift, is eyeing a congressional seat, so she hires him to follow her husband, Henry. She knows that Henry is cheating on her, but she wants proof in order to convince him to remain loyal until the election’s over. But things quickly get hairy: Max finds out that Henry has links to a Guatemalan company, which, in turn, has ties to a mob family. What’s more, Henry becomes a potential murder suspect when a singer he knows is killed. Meanwhile, Edith’s opponent, I.M. Trubble, lives up to his name; his negative ads lead Max to dig up dirt on Trubble while he searches for a killer. Despite the murder investigation, this novel is chiefly a political thriller. This works in the book’s favor, as Edith’s case is more engaging, with its Mafia-style hitmen and scandalous secrets. The bubbling campaign war, too, is intense and rightly described by Max as “ugly.” Indeed, Max isn’t even officially investigating the murder case but simply conferring with the lead investigator, his former New York Police Department partner Tina Falcone. There aren’t many suspects and no real surprises in either case, but there’s resolution across the board. Max is a whimsical protagonist with a freight of eccentricities; he partly takes Edith’s case in order to reunite with his estranged wife, Meridew, who’s Edith’s best friend; and he only has two-thirds of a right ear due to a shootout years ago and which everyone suggests should be “fixed up.” His most notable quirk, however, is the fact that he has frequent conversations with French writer and philosopher Albert Camus. Max calls him a ghost, but Goldman smartly keeps the interactions ambiguous; they could just as well be playing out in Max’s head. Their talks are often humorous—Max disguises one of them by holding a BlackBerry to his ear while in a crowded elevator—but they’re never quite as entertaining as the discussions Max has with the charmingly cynical Tina.
Precarious politics take precedence over murder in this striking genre entry.Pub Date: March 14, 2015
ISBN: 978-1505908770
Page Count: 300
Publisher: CreateSpace
Review Posted Online: April 20, 2015
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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