An ambitious story of survival that doesn’t always click, but is frequently thrilling.
Two men on a hunting trip encounter a civil war.
Heller’s novel follows Jess and Storey, two friends in Maine, as their annual hunting trip turns calamitous. Early on, Heller references a bridge being out and a way forward blocked. The exact nature of the catastrophe isn’t revealed until partway through, though there are some hints. “All summer the entire state had been convulsed with secession mania,” Heller writes. He describes the situation Jess and Storey are in as being “in the wake of a rolling catastrophe,” with all the momentum that implies. The duo doesn’t encounter another living person until a significant part of the book has passed—and once they do, their situation becomes even more unsettling, as it seems they’re in a war zone with little sense of who’s fighting, and on what side. (The way this escalates allows for a rare moment of gallows humor when Storey says, “The helicopters suggest to me it’s not just a Maine thing.”) The two men find a girl, Collie, who’s become separated from her family, giving the second half a little more structure. Jess and Storey’s journey across an uncertain landscape is interspersed with Jess’ thoughts on his now-defunct marriage and his long friendship with Storey. Heller ably captures the white-knuckle momentum as the two men try to stay alive—bringing this book closer in tone to James Dickey’s WWII–era thriller To the White Sea than to Cormac McCarthy’s The Road. But that choice also makes the speculative elements feel disconnected from the story of the long friendship at this novel’s heart; it’s not hard to imagine much of the same action occurring in the wake of a natural disaster.
An ambitious story of survival that doesn’t always click, but is frequently thrilling.Pub Date: Aug. 13, 2024
ISBN: 9780593801628
Page Count: 304
Publisher: Knopf
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
Soapy, suspenseful fun.
A remembered horror plunges a pregnant woman into a waking nightmare.
Tegan Werner, 23, barely recalls her one-night stand with married real estate developer Simon Lamar; she only learns Simon’s name after seeing him on the local news five months later. Simon wants nothing to do with the resulting child Tegan now carries and tells his lawyer to negotiate a nondisclosure agreement. A destitute Tegan is all too happy to trade her silence for cash—until a whiff of Simon’s cologne triggers a memory of him drugging and raping her. Distraught and eight months pregnant, Tegan flees her Lewiston, Maine, apartment and drives north in a blizzard, intending to seek comfort and counsel from her older brother, Dennis; instead, she gets lost and crashes, badly injuring her ankle. Tegan is terrified when hulking stranger Hank Thompson stops and extricates her from the wreck, and becomes even more so when he takes her to his cabin rather than the hospital, citing hazardous road conditions. Her anxiety eases somewhat upon meeting Hank’s wife, Polly—a former nurse who settles Tegan in a basement hospital room originally built for Polly’s now-deceased mother. Polly vows to call 911 as soon as the phones and power return, but when that doesn’t happen, Tegan becomes convinced that Hank is forcing Polly to hold her prisoner. Tegan doesn’t know the half of it. McFadden unspools her twisty tale via a first-person-present narration that alternates between Tegan and Polly, grounding character while elevating tension. Coincidence and frustratingly foolish assumptions fuel the plot, but readers able to suspend disbelief are in for a wild ride. A purposefully ambiguous, forward-flashing prologue hints at future homicide, establishing stakes from the jump.
Soapy, suspenseful fun.Pub Date: Jan. 28, 2025
ISBN: 9781464227325
Page Count: 384
Publisher: Poisoned Pen
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
BOOK REVIEW
BOOK REVIEW
A philosophically charged tour de force by one of the best living novelists in English.
A gravely post-apocalyptic tale that blends mystery with the academic novel.
McEwan’s first narrator, Thomas Metcalfe, is one of a vanishing breed, a humanities professor, who on a spring day in 2119, takes a ferry to a mountain hold, the Bodleian Snowdonia Library. The world has been remade by climate change, the subject of a course he teaches, “The Politics and Literature of the Inundation.” Nuclear war has irradiated the planet, while “markets and communities became cellular and self-reliant, as in early medieval times.” Nonetheless, the archipelago that is now Britain has managed to scrape up a little funding for the professor, who is on the trail of a poem, “A Corona for Vivien,” by the eminent poet Francis Blundy. Thanks to the resurrected internet, courtesy of Nigerian scientists, the professor has access to every bit of recorded human knowledge; already overwhelmed by data, scholars “have robbed the past of its privacy.” But McEwan’s great theme is revealed in his book’s title: How do we know what we think we know? Well, says the professor of his quarry, “I know all that they knew—and more, for I know some of their secrets and their futures, and the dates of their deaths.” And yet, and yet: “Corona” has been missing ever since it was read aloud at a small party in 2014, and for reasons that the professor can only guess at, for, as he counsels, “if you want your secrets kept, whisper them into the ear of your dearest, most trusted friend.” And so it is that in Part 2, where Vivien takes over the story as it unfolds a century earlier, a great and utterly unexpected secret is revealed about how the poem came to be and to disappear, lost to history and memory and the coppers.
A philosophically charged tour de force by one of the best living novelists in English.Pub Date: Sept. 23, 2025
ISBN: 9780593804728
Page Count: 320
Publisher: Knopf
Review Posted Online: May 24, 2025
Kirkus Reviews Issue: July 1, 2025
PERSPECTIVES
PERSPECTIVES
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