by Peter Heller ‧ RELEASE DATE: Aug. 24, 2021
There's danger at the end of the line in this unconventional mystery.
A fishing adventure turns dark as night.
Fisherman’s noir isn’t a genre, but maybe it should be. The high-end Colorado resort at the heart of this soulful mystery offers some of the best angling in the country, with waters seemingly carved out of Eden. It's a nice getaway from the persistent strains of Covid-19. But something’s not right. The neighbor upstream likes to shoot at visitors who get too close to his property. Guests disappear for stretches at a time and return acting as if they’re survived a horrible trauma. And the manager seems to have a fast-and-loose relationship with the truth. The new guide, a grief-stricken 25-year-old named Jack, happens to be a keen observer with an eye for the out of the ordinary. He also happens to be falling in love with Alison K., the famous but effortlessly earthy singer he's been assigned to guide through a week of good fishing. This is an unconventional mystery, an unconventional romance, and an unconventional adventure, creepy and spiritual in equal measure. Jack has a thing for eighth-century Chinese poetry. He describes one of his favorite poets as “an aficionado of loss and also of nature, which Jack could relate to.” Jack has lost both his mother and his best friend, and he blames himself for both deaths. He escapes through reading and fishing. But this is no escape, unless you’re the reader. The author clearly knows his way around a river; the long, descriptive passages create a vivid sense of place and action even if they may puzzle those of us who don’t know a mayfly from a riffle. By the time Jack and Alison encounter a young woman running down the road in a hospital gown in a scene right out of the sinister noir Kiss Me Deadly, they’re in too deep, and they’re too curious, to quit the dangerous puzzle before them. You might feel the same.
There's danger at the end of the line in this unconventional mystery.Pub Date: Aug. 24, 2021
ISBN: 978-0-525-65776-7
Page Count: 272
Publisher: Knopf
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Bonnie Garmus ‧ RELEASE DATE: Oct. 13, 2026
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
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