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THE LAST RANGER

Life and death in nature are close companions in a fast-moving and lyrical story.

Challenging times for a ranger in Yellowstone National Park.

Heller draws on an extensive background in adventurous outdoor pursuits and a literary pedigree from the Iowa Writers’ Workshop to produce this fast-paced, elegantly written slice of the often busy, sometimes-perilous life of a contemporary Yellowstone National Park ranger. As he portrays it, typical duties in the life of ranger Ren Hopper, who lives alone in a rustic cabin in the park, can include everything from arresting an intoxicated driver for striking a bison to saving a heedless family from a dangerously close encounter with a protective mother moose. But at the heart of the story is Ren’s attempt to track down the human predator who’s been poaching the park’s wild wolf population, which had been eradicated for more than seven decades in the 20th century and restored only after deliberate effort. Ren’s pursuit takes on even greater urgency when his friend Hilly, a famed wolf biologist, nearly loses her life after she’s caught in a trap that appears to have been placed solely for the purpose of ensnaring her. The prime suspect is Les Ingraham, a local resident embittered after his shot at a professional football career is derailed by injury, but Ren can’t rule out the possibility that a secretive militialike group that’s hostile to restrictions against hunting on federal land may be involved. Along with evocative descriptions of Yellowstone’s stunning beauty, Heller efficiently creates a small cast of fully realized characters, most notably Ren, who’s still struggling with grief over the death of a mother who introduced him to the natural world before abandoning her family. But as the author displays in a thrilling climactic chase scene, he doesn’t neglect his obligation to bring what at heart is a nature adventure story to a satisfying conclusion.

Life and death in nature are close companions in a fast-moving and lyrical story.

Pub Date: Aug. 1, 2023

ISBN: 9780593535110

Page Count: 304

Publisher: Knopf

Review Posted Online: June 21, 2023

Kirkus Reviews Issue: July 15, 2023

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TWICE

Have tissues ready as you read this. A small package will do.

A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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