An exhilarating tale delivered with the pace of a thriller and the wisdom of a grizzled nature guide.

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THE RIVER

Two college friends’ leisurely river trek becomes an ordeal of fire and human malice.

For his fourth novel, Heller swaps the post-apocalyptic setting of his previous book, The Dog Stars (2012), for present-day realism—in this case a river in northern Canada where Dartmouth classmates Jack and Wynn have cleared a few weeks for fly-fishing and whitewater canoeing. Jack is the sharp-elbowed scion of a Colorado ranch family, while Wynn is a more easygoing Vermonter—a divide that becomes more stark as the novel progresses—but they share a love of books and the outdoors. They’re so in sync early on that they agree to lose travel time to turn back and warn a couple they’d overheard arguing that a forest fire is fast approaching. It’s a fateful decision: They discover the woman, Maia, near death and badly injured, apparently by her homicidal husband, Pierre. When Wynn unthinkingly radios Pierre that she’s been found alive, Wynn and Jack realize they’re now targets as well. Heller confidently manages a host of tensions—Jack and Wynn becoming suspicious of each other while watching for Pierre, straining to keep Maia alive, and paddling upriver to reach civilization and escape the nearing blaze. And his pacing is masterful as well, briskly but calmly capturing the scenery in slower moments, then running full-throttle and shifting to barreling prose when danger is imminent. (The fire sounds like “turbines and the sudden shear of a strafing plane, a thousand thumping hooves in cavalcade, the clamor and thud of shields clashing, the swelling applause of multitudes….”) And though the tale is a familiar one of fending off the deadliness of the wilderness and one's fellow man, Heller has such a solid grasp of nature (both human and the outdoors) that the storytelling feels fresh and affecting. In bringing his characters to the brink of death (and past it), Heller speaks soberly to the random perils of everyday living.

An exhilarating tale delivered with the pace of a thriller and the wisdom of a grizzled nature guide.

Pub Date: March 6, 2019

ISBN: 978-0-525-52187-7

Page Count: 272

Publisher: Knopf

Review Posted Online: Dec. 11, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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A strongly felt, if not terribly gripping, sendoff for a Turow favorite nearly 35 years after his appearance in Presumed...

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THE LAST TRIAL

Trying his final case at 85, celebrated criminal defense lawyer Sandy Stern defends a Nobel-winning doctor and longtime friend whose cancer wonder drug saved Stern's life but subsequently led to the deaths of others.

Federal prosecutors are charging the eminent doctor, Kiril Pafko, with murder, fraud, and insider trading. An Argentine émigré like Stern, Pafko is no angel. His counselor is certain he sold stock in the company that produced the drug, g-Livia, before users' deaths were reported. The 78-year-old Nobelist is a serial adulterer whose former and current lovers have strong ties to the case. Working for one final time alongside his daughter and proficient legal partner, Marta, who has announced she will close the firm and retire along with her father following the case, Stern must deal not only with "senior moments" before Chief Judge Sonya "Sonny" Klonsky, but also his physical frailty. While taking a deep dive into the ups and downs of a complicated big-time trial, Turow (Testimony, 2017, etc.) crafts a love letter to his profession through his elegiac appreciation of Stern, who has appeared in all his Kindle County novels. The grandly mannered attorney (his favorite response is "Just so") has dedicated himself to the law at great personal cost. But had he not spent so much of his life inside courtrooms, "He never would have known himself." With its bland prosecutors, frequent focus on technical details like "double-blind clinical trials," and lack of real surprises, the novel likely will disappoint some fans of legal thrillers. But this smoothly efficient book gains timely depth through its discussion of thorny moral issues raised by a drug that can extend a cancer sufferer's life expectancy at the risk of suddenly ending it.

A strongly felt, if not terribly gripping, sendoff for a Turow favorite nearly 35 years after his appearance in Presumed Innocent.

Pub Date: May 12, 2020

ISBN: 978-1-5387-4813-8

Page Count: 448

Publisher: Grand Central Publishing

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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