An exhilarating tale delivered with the pace of a thriller and the wisdom of a grizzled nature guide.
Two college friends’ leisurely river trek becomes an ordeal of fire and human malice.
For his fourth novel, Heller swaps the post-apocalyptic setting of his previous book, The Dog Stars (2012), for present-day realism—in this case a river in northern Canada where Dartmouth classmates Jack and Wynn have cleared a few weeks for fly-fishing and whitewater canoeing. Jack is the sharp-elbowed scion of a Colorado ranch family, while Wynn is a more easygoing Vermonter—a divide that becomes more stark as the novel progresses—but they share a love of books and the outdoors. They’re so in sync early on that they agree to lose travel time to turn back and warn a couple they’d overheard arguing that a forest fire is fast approaching. It’s a fateful decision: They discover the woman, Maia, near death and badly injured, apparently by her homicidal husband, Pierre. When Wynn unthinkingly radios Pierre that she’s been found alive, Wynn and Jack realize they’re now targets as well. Heller confidently manages a host of tensions—Jack and Wynn becoming suspicious of each other while watching for Pierre, straining to keep Maia alive, and paddling upriver to reach civilization and escape the nearing blaze. And his pacing is masterful as well, briskly but calmly capturing the scenery in slower moments, then running full-throttle and shifting to barreling prose when danger is imminent. (The fire sounds like “turbines and the sudden shear of a strafing plane, a thousand thumping hooves in cavalcade, the clamor and thud of shields clashing, the swelling applause of multitudes….”) And though the tale is a familiar one of fending off the deadliness of the wilderness and one's fellow man, Heller has such a solid grasp of nature (both human and the outdoors) that the storytelling feels fresh and affecting. In bringing his characters to the brink of death (and past it), Heller speaks soberly to the random perils of everyday living.
An exhilarating tale delivered with the pace of a thriller and the wisdom of a grizzled nature guide.Pub Date: March 6, 2019
ISBN: 978-0-525-52187-7
Page Count: 272
Publisher: Knopf
Review Posted Online: Dec. 10, 2018
Kirkus Reviews Issue: Jan. 1, 2019
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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