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THE GREAT GAME

THE STRUGGLE FOR EMPIRE IN CENTRAL ASIA

What in the hands of a lesser writer could have been a collection of obscure facts, figures, and personalities is here transformed—thanks to vibrant writing and remarkable organization- -into a riveting drama of 19th-century imperialistic power- politics. Tracing the British and Russian rivalry for control of the deserts and mountain ranges that stretch from the Black Sea to the China Sea, Hopkirk, fomer Asian affairs specialist for the London Times, packs his narrative with enough death, double-dealing, and derring-do to keep a TV miniseries surging along for months. The author picks up the story at the dawn of the 1800's, after having briefly sketched in such background details as Peter the Great's purported deathbed instructions to expand the tsarist empire, and Napoleon's Egyptian campaign—both of which the English saw as threats to their hegemony in the Indian subcontinent. For more than a century, Russia and England each scored triumphs and suffered setbacks, much to the despair or delight of the rival nation. Here, the action takes place in a cloak-and-dagger atmosphere of disguised pseudotravelers gathering information about barbarous (and largely unexplored) hinterlands. Hopkirk's accounts of incursions into such exotic locales as Samarkand, Bokhara, and Lhasa are among the most exciting in his fast-paced work, with many of the adventurers he describes meeting their Maker in singularly unpleasant ways—through beheading, dismemberment, garrotting. Hopkirk maintains the suspense with assurance, and also is evenhanded in his treatment of the duplicity that marks the activities not only of the area's Muslim natives but of the Russians and English as well. Working on a sprawling canvas crammed with incidents set in council chambers and Himalayan mountain passes, and with a cast that includes Queen Victoria, tsars, trigger-happy militarists, fanatical khans, sepoys, and Sherpas, Hopkirk organizes his material with a master's touch. The result is historical writing of extraordinary power and readability. (Thirty-nine b&w photographs; five maps.)

Pub Date: Sept. 1, 1992

ISBN: 4-77011-730-0

Page Count: 576

Publisher: Kodansha

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 1, 1992

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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