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THE DANGEROUS WORLD OF BUTTERFLIES

THE STARTLING SUBCULTURE OF CRIMINALS, COLLECTORS, AND CONSERVATIONISTS

A flawed but pleasing survey of nature’s most beautiful insects.

A charming but slightly scattershot meditation on butterflies and the people who love them.

Radio journalist Laufer (Mission Rejected: U.S. Soldiers Who Say No to Iraq, 2008, etc.), who usually covers grimmer topics like the Iraq war and the immigration debate, turned to this subject on a lark. Asked on a nationally televised reading what he would write about next, he joked that his next book would be about “butterflies and flowers.” Jane Foulds, the owner of a butterfly reserve in Nicaragua, took him seriously and invited him to begin his research with the creatures she and her husband collected and bred for export in the Central American rainforest. After immersing himself in butterfly lore and visiting Foulds’ reserva, he began to fall in love with the delicate-looking insects. Being a journalist, however, he naturally found his to controversy between breeders like the Fouldses, who sell butterflies in bulk to celebrants who release them for effect at weddings or funerals, and “purists” like academic Jeffrey Glassberg, who argues that butterflies should be left alone to delight us in their natural habitats. Laufer investigated the economic war between commercial loggers and naturalists in Mexico’s Sierra Nevada, where the monarchs’ breeding ground is imperiled. He also came across smugglers of endangered species and the agents on their trail, artists who use butterfly scales like paint on their canvases and lepidopterophobes who break into a sweat at the sight of a buckeye or swallowtail. Upon meeting the eccentric creationist who owns Florida’s Butterfly World, Laufer proselytized about metamorphosis and intelligent design. Disappointingly, he was too charmed by the magic to get a Darwinian perspective. Given his otherwise omnivorous approach to the material and his claim to be on the evolution side of the debate, it’s one important leaf Laufer left unturned.

A flawed but pleasing survey of nature’s most beautiful insects.

Pub Date: May 1, 2009

ISBN: 978-1-59921-555-6

Page Count: 288

Publisher: Lyons Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2009

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A FIRE STORY

Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.

A new life and book arise from the ashes of a devastating California wildfire.

These days, it seems the fires will never end. They wreaked destruction over central California in the latter months of 2018, dominating headlines for weeks, barely a year after Fies (Whatever Happened to the World of Tomorrow?, 2009) lost nearly everything to the fires that raged through Northern California. The result is a vividly journalistic graphic narrative of resilience in the face of tragedy, an account of recent history that seems timely as ever. “A two-story house full of our lives was a two-foot heap of dead smoking ash,” writes the author about his first return to survey the damage. The matter-of-fact tone of the reportage makes some of the flights of creative imagination seem more extraordinary—particularly a nihilistic, two-page centerpiece of a psychological solar system in which “the fire is our black hole,” and “some veer too near and are drawn into despair, depression, divorce, even suicide,” while “others are gravitationally flung entirely out of our solar system to other cities or states, and never seen again.” Yet the stories that dominate the narrative are those of the survivors, who were part of the community and would be part of whatever community would be built to take its place across the charred landscape. Interspersed with the author’s own account are those from others, many retirees, some suffering from physical or mental afflictions. Each is rendered in a couple pages of text except one from a fellow cartoonist, who draws his own. The project began with an online comic when Fies did the only thing he could as his life was reduced to ash and rubble. More than 3 million readers saw it; this expanded version will hopefully extend its reach.

Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.

Pub Date: March 5, 2019

ISBN: 978-1-4197-3585-1

Page Count: 160

Publisher: Abrams ComicArts

Review Posted Online: Nov. 25, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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H IS FOR HAWK

Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a...

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  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
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    finalist


  • New York Times Bestseller


  • National Book Critics Circle Finalist

An inspired, beautiful and absorbing account of a woman battling grief—with a goshawk.

Following the sudden death of her father, Macdonald (History and Philosophy/Cambridge Univ.; Falcon, 2006, etc.) tried staving off deep depression with a unique form of personal therapy: the purchase and training of an English goshawk, which she named Mabel. Although a trained falconer, the author chose a raptor both unfamiliar and unpredictable, a creature of mad confidence that became a means of working against madness. “The hawk was everything I wanted to be: solitary, self-possessed, free from grief, and numb to the hurts of human life,” she writes. As a devotee of birds of prey since girlhood, Macdonald knew the legends and the literature, particularly the cautionary example of The Once and Future King author T.H. White, whose 1951 book The Goshawk details his own painful battle to master his title subject. Macdonald dramatically parallels her own story with White’s, achieving a remarkable imaginative sympathy with the writer, a lonely, tormented homosexual fighting his own sadomasochistic demons. Even as she was learning from White’s mistakes, she found herself very much in his shoes, watching her life fall apart as the painfully slow bonding process with Mabel took over. Just how much do animals and humans have in common? The more Macdonald got to know her, the more Mabel confounded her notions about what the species was supposed to represent. Is a hawk a symbol of might or independence, or is that just our attempt to remake the animal world in our own image? Writing with breathless urgency that only rarely skirts the melodramatic, Macdonald broadens her scope well beyond herself to focus on the antagonism between people and the environment.

Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a classic in either genre.

Pub Date: March 3, 2015

ISBN: 978-0802123411

Page Count: 288

Publisher: Grove

Review Posted Online: Nov. 3, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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