A Hitler biography unlikely to be surpassed for quite some time.
An expert on Nazi Germany delivers a massive new biography of arguably the most monstrous leader in history.
Longerich (Modern German History/Royal Holloway Univ. of London; Goebbels: A Biography, 2015, etc.) addresses the many biographies that have come before, notably by Ian Kershaw and Joachim Fest, which tend to characterize Hitler as a loner and an outsider, a “nonperson.” In contrast, Longerich examines Hitler’s “autonomous role as an active politician” in shaping the policies of his party. “I argue…that critical turning points in Hitler’s policies cannot be seen as the result of external constraints and structural determinants but were the product of decisions he forced through in the face of resistance and significant retarding factors,” writes the author. After Hitler’s first three nondescript decades, the post–World War I depression gave way to fury and rage at the German defeat, and he found expression as a propagandist for the extreme right-wing German Workers’ Party. Emerging a “magnificent failure” from his botched putsch, trial, and imprisonment, he set about creating a public image and political program with Mein Kampf, articulating especially his anti-Semitism and the conquest of “living space” in Eastern Europe. Although he was appointed chancellor in January 1933, his party, writes Longerich, “still had no more than one-third of the electorate behind it,” and it took “great political skill” over the next 18 months to transform the government into a Hitler dictatorship. The author deftly shows how Hitler actively “steered the course of events”—e.g., neutralizing the left, removing basic rights, eliminating trade unions, asserting total Nazi control of all clubs and associations, and “sorting out” the role of the two churches. As the momentum of terror grew, so did the inner conflicts and inconsistencies. Yet these did not undermine Hitler’s rule; on the contrary, the often cited “chaos of offices,” the author notes, “strengthened his personal position” and “allowed him…to enforce his political will directly as an autocratic dictator.” Throughout, the author wears his impeccable scholarship lightly, creating a fresh picture of one of history’s most written-about subjects.
A Hitler biography unlikely to be surpassed for quite some time.Pub Date: Oct. 1, 2019
ISBN: 978-0-19-005673-5
Page Count: 912
Publisher: Oxford Univ.
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and...
A dense, absorbing investigation into the medical community's exploitation of a dying woman and her family's struggle to salvage truth and dignity decades later.
In a well-paced, vibrant narrative, Popular Science contributor and Culture Dish blogger Skloot (Creative Writing/Univ. of Memphis) demonstrates that for every human cell put under a microscope, a complex life story is inexorably attached, to which doctors, researchers and laboratories have often been woefully insensitive and unaccountable. In 1951, Henrietta Lacks, an African-American mother of five, was diagnosed with what proved to be a fatal form of cervical cancer. At Johns Hopkins, the doctors harvested cells from her cervix without her permission and distributed them to labs around the globe, where they were multiplied and used for a diverse array of treatments. Known as HeLa cells, they became one of the world's most ubiquitous sources for medical research of everything from hormones, steroids and vitamins to gene mapping, in vitro fertilization, even the polio vaccine—all without the knowledge, must less consent, of the Lacks family. Skloot spent a decade interviewing every relative of Lacks she could find, excavating difficult memories and long-simmering outrage that had lay dormant since their loved one's sorrowful demise. Equal parts intimate biography and brutal clinical reportage, Skloot's graceful narrative adeptly navigates the wrenching Lack family recollections and the sobering, overarching realities of poverty and pre–civil-rights racism. The author's style is matched by a methodical scientific rigor and manifest expertise in the field.
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and Petri dish politics.Pub Date: Feb. 9, 2010
ISBN: 978-1-4000-5217-2
Page Count: 320
Publisher: Crown
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Jan. 1, 2010
BOOK REVIEW
Riveting and exquisitely crafted.
Musician, poet and visual artist Smith (Trois, 2008, etc.) chronicles her intense life with photographer Robert Mapplethorpe during the 1960s and ’70s, when both artists came of age in downtown New York.
Both born in 1946, Smith and Mapplethorpe would become widely celebrated—she for merging poetry with rock ’n’ roll in her punk-rock performances, he as the photographer who brought pornography into the realm of art. Upon meeting in the summer of 1967, they were hungry, lonely and gifted youths struggling to find their way and their art. Smith, a gangly loser and college dropout, had attended Bible school in New Jersey where she took solace in the poetry of Rimbaud. Mapplethorpe, a former altar boy turned LSD user, had grown up in middle-class Long Island. Writing with wonderful immediacy, Smith tells the affecting story of their entwined young lives as lovers, friends and muses to one another. Eating day-old bread and stew in dumpy East Village apartments, they forged fierce bonds as soul mates who were at their happiest when working together. To make money Smith clerked in bookstores, and Mapplethorpe hustled on 42nd Street. The author colorfully evokes their days at the shabbily elegant Hotel Chelsea, late nights at Max’s Kansas City and their growth and early celebrity as artists, with Smith winning initial serious attention at a St. Mark’s Poetry Project reading and Mapplethorpe attracting lovers and patrons who catapulted him into the arms of high society. The book abounds with stories about friends, including Allen Ginsberg, Janis Joplin, William Burroughs, Sam Shepard, Gregory Corso and other luminaries, and it reveals Smith’s affection for the city—the “gritty innocence” of the couple’s beloved Coney Island, the “open atmosphere” and “simple freedom” of Washington Square. Despite separations, the duo remained friends until Mapplethorpe’s death in 1989. “Nobody sees as we do, Patti,” he once told her.
Riveting and exquisitely crafted.Pub Date: Jan. 19, 2010
ISBN: 978-0-06-621131-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2009
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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