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FINDING HOME

WRITING ON NATURE AND CULTURE FROM ORION MAGAZINE

A thoughtfully compiled and provocative collection of 19 essays, selected from the Orion quarterly by editorial-board member Sauer, that explore the possibilities of living artfully on the earth. On local ground, David Ehrenfeld, real-estate developer Wallace Kaufman, and others write of change in landscapes they know intimately and of the ways in which we as individuals and as a nation are letting the land go. John Stilgoe traces the self- conscious history of our physical and emotional relationship to beaches, and Barry Lopez describes the contradictions between a ``homogeneous national geography'' projected by politics and advertising and the ``rigors'' of heterogeneous ``local'' geographies that individuals actually experience. Other essays describe innovative ways to redefine lands and cultures physically through humanly populated biosphere reserves and species restoration. Encompassing a broader geography, essays by Susan Power Bratton and others acknowledge a vital sense of reciprocity between man and nature. Included is Darrell Addison Posey's ``The Science of the Mebengokre,'' whose revelations about the sophisticated land-management systems of a branch of Amazonian Indians offer one of this collection's most compelling examples of how misguided are our notions of ``pristine'' wilderness. Explicit in three exuberant essays on childhood and nature is the importance of encouraging children, as future caretakers, to develop connections with nature early in their lives. And by expanding the vocabulary of metaphor and challenging methods of observation, contributors to the book's final section reexamine the ways in which we engage nature so that, in our perceptions of earth and its inhabitants, we reside alongside it and not above it. A valuable and admirably nonpartisan reformulation of our cultural relationship to nature, containing work by many of America's foremost nature writers.

Pub Date: Aug. 26, 1992

ISBN: 0-8070-8518-9

Page Count: 304

Publisher: Beacon Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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WHY FISH DON'T EXIST

A STORY OF LOSS, LOVE, AND THE HIDDEN ORDER OF LIFE

A quirky wonder of a book.

A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.

Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.

A quirky wonder of a book.

Pub Date: April 14, 2020

ISBN: 978-1-5011-6027-1

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: Jan. 1, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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H IS FOR HAWK

Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a...

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  • Kirkus Reviews'
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  • New York Times Bestseller


  • National Book Critics Circle Finalist

An inspired, beautiful and absorbing account of a woman battling grief—with a goshawk.

Following the sudden death of her father, Macdonald (History and Philosophy/Cambridge Univ.; Falcon, 2006, etc.) tried staving off deep depression with a unique form of personal therapy: the purchase and training of an English goshawk, which she named Mabel. Although a trained falconer, the author chose a raptor both unfamiliar and unpredictable, a creature of mad confidence that became a means of working against madness. “The hawk was everything I wanted to be: solitary, self-possessed, free from grief, and numb to the hurts of human life,” she writes. As a devotee of birds of prey since girlhood, Macdonald knew the legends and the literature, particularly the cautionary example of The Once and Future King author T.H. White, whose 1951 book The Goshawk details his own painful battle to master his title subject. Macdonald dramatically parallels her own story with White’s, achieving a remarkable imaginative sympathy with the writer, a lonely, tormented homosexual fighting his own sadomasochistic demons. Even as she was learning from White’s mistakes, she found herself very much in his shoes, watching her life fall apart as the painfully slow bonding process with Mabel took over. Just how much do animals and humans have in common? The more Macdonald got to know her, the more Mabel confounded her notions about what the species was supposed to represent. Is a hawk a symbol of might or independence, or is that just our attempt to remake the animal world in our own image? Writing with breathless urgency that only rarely skirts the melodramatic, Macdonald broadens her scope well beyond herself to focus on the antagonism between people and the environment.

Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a classic in either genre.

Pub Date: March 3, 2015

ISBN: 978-0802123411

Page Count: 288

Publisher: Grove

Review Posted Online: Nov. 3, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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