While there are twists, most of them are so clearly telegraphed that only the most careless of readers won’t see what’s...
A chance airport meeting between strangers sets in motion a Strangers on a Train–inspired murder plot.
During a delay at Heathrow, wealthy Boston businessman Ted Severson shares drinks with fellow American Lily Kintner, an archivist at a small Massachusetts college. One thing leads to another, but instead of sleeping together, the two confess their deepest secrets: Ted wants to kill his two-timing wife, Miranda, and Lily wants to help him. In case the Patricia Highsmith connection isn’t blatant enough, Swanson (The Girl With a Clock for a Heart, 2014) shows Lily reading The Two Faces of January—“not one of her best”—in the airport. While the title implies that Ted’s (and Lily’s) enemies are the kind worth killing, the reader almost immediately decides it’s the cold, heartless protagonists who should ultimately get the ax. Miranda is indeed cheating on Ted with Brad Daggett, the handsome and dim contractor who’s building the couple’s extravagant Maine vacation home, yet it’s hard to feel sorry for a man who tells a complete stranger that he fantasizes about killing his spouse, let alone a woman who openly encourages such behavior. Lily’s past is slowly, predictably revealed, and we discover her penchant for violence, but instead of making her character more complex, it merely becomes another layer of frustration.
While there are twists, most of them are so clearly telegraphed that only the most careless of readers won’t see what’s coming, especially since Swanson needlessly doubles back over the same events from different points of view.Pub Date: Feb. 3, 2015
ISBN: 978-0-06-226752-8
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: Dec. 19, 2014
Kirkus Reviews Issue: Jan. 1, 2015
A contemporary equivalent of This Side of Paradise or Vile Bodies, and another solid building-block in one of contemporary...
A first US appearance of a novel originally published in 1987, this crisp portrayal of “flaming youth” in the late 1960s proves one of Murakami’s most appealing—if uncharacteristic—books.
Best known to us as the comic surrealist-symbolist author of such rousing postmodernist fare as A Wild Sheep Chase (1989), Murakami is also a highly intelligent romantic who feels the pangs of his protagonist Toru Watanabe’s insistent sexual and intellectual hungers and renders them with unsparing clarity (the matter-of-fact sexual frankness here seems unusual for a Japanese novel, even a 1987 one).Toru’s narrative of his student years, lived out against a backdrop of ongoing “campus riots,” focuses on the lessons he learns from relationships with several highly individual characters, two of them women he simultaneously loves (or thinks he loves). Mercurial Naoko, who clearly perceives the seeds of her own encroaching madness (“It’s like I’m split in two and playing tag with myself”), continues to tug away at Toru’s emotions even after she enters a sanatorium. Meanwhile, coy fellow student Midori tries to dispel shadows cast by her parents’ painful deaths by fantasizing and simulating—though never actually experiencing—sex with him. Other perspectives on Toru’s hard-won assumption of maturity are offered by older student Nagasawa (“a secret reader of classic novels,” and a compulsive seducer); Naoko’s roommate Reiko, a music teacher (and self-styled interpreter of such Beatles’ songs as the one that provides Murakami’s evocative title) who’s perhaps also her lesbian lover; and the specter of Toru’s boyhood friend Kizuki, a teenaged suicide. There’s a lot of talk about books (particularly Fitzgerald’s and Hesse’s) and other cultural topics, in a blithely discursive and meditative story that’s nevertheless firmly anchored to the here and now by the vibrant immediacy of its closely observed characters and their quite credibly conflicted psyches and libidos.
A contemporary equivalent of This Side of Paradise or Vile Bodies, and another solid building-block in one of contemporary fiction’s most energetic and impressive bodies of work.Pub Date: Sept. 1, 2000
ISBN: 0-375-70402-7
Page Count: 296
Publisher: Vintage
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Thin characters, fat plot-holes, sluggish pacing and Cussler’s signature clunky prose.
The smartest shamus on earth tracks the planet’s cleverest lowlife in the latest to roll from the Cussler assembly line (Polar Shift, 2005, etc.).
In 1906, they didn’t come any nastier than the Butcher Bandit, who, when the book opens, has already racked up 38 kills, a goodly number of them women and children. He robs banks, murdering—remorselessly—any unfortunate who happens to be on the premises at the time. So adept at the work is he, we’re told exhaustively, that he’s commonly believed to be uncatchable. Which is why Isaac (“He always gets his man”) Bell of the Van Dorn Detective Agency is assigned the case. But the Butcher Bandit is a slippery one indeed. Not only brilliant, audacious and cold-blooded beyond measure, he is also not the stuff of which bottom-feeders are usually made. For it turns out that the master criminal who has robbed banks all over the Southwest is actually a bank president himself. In San Francisco, the extremely solvent Cromwell Bank is a byword for respectability, its founder and chief executive a pillar of the community. That would be Jacob Cromwell, aka the much sought after Butcher Bandit. So how to explain Cromwell’s deep, dark plunge into criminality? He loves the challenge, he says. There’s also that new word, Bell explains to an understandably puzzled colleague, that psychology professionals are beginning to use: sociopath. At any rate, the game’s afoot, the antagonists perfectly matched, with Cromwell convinced he can rob, kill and elude capture, and Bell promising not to rest “until I capture the man responsible for these hideous crimes.”
Thin characters, fat plot-holes, sluggish pacing and Cussler’s signature clunky prose.Pub Date: Nov. 6, 2007
ISBN: 978-0-399-15438-6
Page Count: 416
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2007
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