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GALILEO'S REVENGE

JUNK SCIENCE IN THE COURTROOM

A polemic twice as long as it should be by lawyer/engineer Huber (Liability, 1988), now taking aim at the hired-hand expert witnesses who are called upon in liability cases where appeal to science is the issue. Where are the days of yore when judges exercised judgment about the credentials of experts? Or when juries acted on the conviction that victims might be self-destructive, ignorant, or otherwise to blame? All that is gone in these days of ``junk'' science, says Huber, in which self-proclaimed fringe scientists are given equal weight in the courtroom. So we hear about trauma- induced cancers, chemically induced AIDS, the dangers of all IUDs and of self-accelerating Audi cars (dramatically depicted on 60 Minutes). Huber sees the new let-it-all-hang-in courtroom behavior as rooted in a new liability-science that uses law to effect social control by charging accidents to the person (or agent) who might have prevented it most cheaply. So instead of blaming the victim for mistaking the accelerator for the brake, blame the car designer; blame the tobacco company and not the chain-smoker; blame the IUD for pelvic inflammatory disease and not its promiscuous user. Indeed, Huber's blame-the-victim harping mars what is often an incisive indictment of stupidity, arrogance, and deception masking as fair justice. Moreover, the question of why America is so litigious a society, driven to vicious circles of fear and distrust, suit and countersuit, and what can be done about it are barely touched upon. Huber's appeal to good science and the noble search for truth are to be commended, but, it should be noted, manufacturers do make mistakes that cost lives, victims are often innocent, and medical science has yet to reach consensus concerning the cause and cure of many an ailment.

Pub Date: Sept. 27, 1991

ISBN: 0-465-02623-0

Page Count: 304

Publisher: Basic Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1991

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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