Must-read for those who love that era and want a fresh perspective on it.
A musician’s memoir of punk rock in its New York City heyday shows how much fun it was while it lasted, before AIDS and heroin had the last laugh.
As frontman for the Senders, Marcade never saw his band achieve the notoriety of the Ramones, Blondie, Talking Heads, or others that played CBGBs and Max’s Kansas City, but his memoir has an antic vitality and humor that seem to encapsulate the spirit of those times. Everything seemed so funny—even nodding out from heroin, throwing up from overindulgence, and getting tossed into jail, where the teenage Marcade begins this account after getting busted for dope. A French native, he had come to America for adventure. He found his share and also found himself in the middle of the punk scene that was soon to emerge on the Lower East Side. Everyone seemed to know him and like him—former New York Doll Johnny Thunders brought him from Boston to New York and provided entree. The Clash appreciated him so much that they invited the Senders to open for them at their peak. Marcade was the one who, by his account, told Nancy Spungen to follow her heart to London, where she began her fatal romance with the Sex Pistols’ Sid Vicious. (“You need love, not heroin,” he remembers telling her.) There are a number of hilarious, outrageous scenes involving pets—not just dogs and cats, but monkeys—or parties, and some featuring both, and there is plenty of insider observation: “The Ramones got along great with everybody, which was funny because they couldn’t stand each other.” And there are way too many exclamation points. Ultimately, AIDS cost many their lives and others their sexual freedom. Heroin also took many of Marcade’s friends, his marriage, and his band. Written 35 years after he kicked his addiction for good, the book retains the madcap spirit of that time and place, suggesting how punk happened and why it had to end.
Must-read for those who love that era and want a fresh perspective on it.Pub Date: May 2, 2017
ISBN: 978-1-941110-49-2
Page Count: 245
Publisher: Three Rooms Press
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and...
A dense, absorbing investigation into the medical community's exploitation of a dying woman and her family's struggle to salvage truth and dignity decades later.
In a well-paced, vibrant narrative, Popular Science contributor and Culture Dish blogger Skloot (Creative Writing/Univ. of Memphis) demonstrates that for every human cell put under a microscope, a complex life story is inexorably attached, to which doctors, researchers and laboratories have often been woefully insensitive and unaccountable. In 1951, Henrietta Lacks, an African-American mother of five, was diagnosed with what proved to be a fatal form of cervical cancer. At Johns Hopkins, the doctors harvested cells from her cervix without her permission and distributed them to labs around the globe, where they were multiplied and used for a diverse array of treatments. Known as HeLa cells, they became one of the world's most ubiquitous sources for medical research of everything from hormones, steroids and vitamins to gene mapping, in vitro fertilization, even the polio vaccine—all without the knowledge, must less consent, of the Lacks family. Skloot spent a decade interviewing every relative of Lacks she could find, excavating difficult memories and long-simmering outrage that had lay dormant since their loved one's sorrowful demise. Equal parts intimate biography and brutal clinical reportage, Skloot's graceful narrative adeptly navigates the wrenching Lack family recollections and the sobering, overarching realities of poverty and pre–civil-rights racism. The author's style is matched by a methodical scientific rigor and manifest expertise in the field.
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and Petri dish politics.Pub Date: Feb. 9, 2010
ISBN: 978-1-4000-5217-2
Page Count: 320
Publisher: Crown
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Jan. 1, 2010
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