Written with what-a-schmuck-I-am wit, this is passable entertainment, a kind of communiqué from the Writers’ Room.
The creator/executive producer of TV’s popular Everybody Loves Raymond tells how he became the guy in command of a winning sitcom.
Forget childhood hopes of a career as cowboy, fireman or lion-tamer. Young Rosenthal wanted to be on television—that’s where the laughs were. Out of the Bronx and into TV came our hero, if not on-screen, then as show-runner. In the ’90s, he moved to California, where he eventually began to thrive in situation comedy. Here, he discusses the Raymond pitch and the pilot, the casting and testing, the crew and suits and table readings, as well as the process of directing, editing and writing. Indeed, this could be an essay on the art of writing comedy for television. Like Raymond, he’s a family guy. He loves his wife (actress Monica Horan, who played Amy on the show), his kids and everyone connected with the project that, after nine successful seasons, shut down last year. But remember, there’s still life in syndication. Fans seeking deep insight into star Ray Romano won’t find it here. A little more is revealed about Rosenthal’s fellow writers who, as may be expected, are a bit nuts. Scripts, he says, start with situations derived from their lives.
Written with what-a-schmuck-I-am wit, this is passable entertainment, a kind of communiqué from the Writers’ Room.Pub Date: Oct. 23, 2006
ISBN: 0-670-03799-0
Page Count: 256
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
BOOK REVIEW
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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