by Philip C. Stead ; illustrated by Philip C. Stead ‧ RELEASE DATE: Sept. 27, 2016
A story warm in both palette and feeling.
A depiction of deliberate acts of kindness.
Stead’s return to familiar themes of friendship and camaraderie is refreshed by the introduction of Samson, a wooly mammoth who loves his patch of dandelions but isn’t miserly with them. When a red bird (reminiscent of the title character in Stead’s Hello, My Name Is Ruby, 2013, in size if not color) requests some to give to a friend having a bad day, he gives them gladly. But as the bird flies away, Samson wistfully wonders what it’d be like to have a friend. He falls asleep and dreams of yellow, and here Stead treats readers to the first of three wordless spreads punctuating the narrative—this one a saturated, bright yellow with starburst prints of dandelion blossoms. Samson awakens to a blizzard, worries about the red bird, and goes off to find her. “It is better to walk than to worry,” he thinks as he trudges through the snow. He finds a mouse and lifts him up onto his furry back to stay warm and snug. The mouse, too, is searching for someone, who turns out to be the small red bird. Their reunion is a joyful one, complete with a gift of dandelions to the mouse, and then Samson brings them to a cave’s dry safety to wait out the storm, together.
A story warm in both palette and feeling. (Picture book. 3-5)Pub Date: Sept. 27, 2016
ISBN: 978-1-62672-182-1
Page Count: 40
Publisher: Neal Porter/Roaring Brook
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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by Christian Robinson ; illustrated by Christian Robinson ‧ RELEASE DATE: May 12, 2026
A powerful affirmation for all dads—the good, the flawed, and those doing the best they can.
Dedicating his latest to “caregivers who give what they never got,” Caldecott Honor winner Robinson explores complicated feelings around fatherhood.
From the outset, the book appears to be a standard-issue Father’s Day offering, pairing brief, loving sentiments with images of animals. But it soon becomes clear that Robinson has crafted something much more complex. A frog with tadpoles nestled atop his back (“Dad is here”) is followed by an illustration of an owl leaving the nest (“Dad had to go away”). More contrasts are presented: a seahorse keeping his offspring safe in his pouch (“Dad holds on tight”), two shark pups swimming away from their frenzied-looking patriarch (“Dad need lots of space”). “Dad lets you down and makes mistakes” (a porcupine accidentally jabs his little one), but “Dad picks you up and makes you feel safe” (a lion snuggles his cub). And the human fathers we meet next—diverse in skin tone and ability—are equally multifaceted. Robinson outdoes himself, his bold and richly textured paint and collage artwork popping against the background. His artwork is rife with subtleties for careful readers—for instance, the look of uncertainty in the eyes of the gorilla father described as “strong.” For all its simplicity, this colorful book is laden with meaning, depicting fathers as vulnerable, imperfect, gentle, and empathetic—in a word, deeply human.
A powerful affirmation for all dads—the good, the flawed, and those doing the best they can. (more information on the animals presented) (Picture book. 3-5)Pub Date: May 12, 2026
ISBN: 9781250397041
Page Count: 48
Publisher: Balzer + Bray
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
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by Paul Schmid ; illustrated by Paul Schmid ‧ RELEASE DATE: July 1, 2014
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
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