A solid new entry in the time-travel genre that never gets too bogged down in the science of it all.
A pioneering scientist discovers that all she knows about her time-travel machine may be wrong.
Beth Darlow’s life is one tragedy after another. Following surviving the plane crash that killed her parents and older sister when she was only 12 years old, Beth lost her grandfather, who raised her after the accident, on prom night. Her beloved husband, Colson, died on her birthday one year ago. Now a single mother to 4-year-old Isabella, Beth continues the work she and Colson began: perfecting the art of time travel. The rules, as Beth knows them, are simple. She can travel only to points on her own timeline, reliving her memories in vivid Technicolor. She can stay for approximately 90 seconds and no more. Most importantly, she cannot change or influence the events she witnesses in the past. Time travel is something to be done sparingly, with months between jaunts into the past. So far, only Beth and Colson have taken the plunge. But all that could change when the project’s financier, Jim Langan, decides to take the top-secret project public. Suddenly, necessity forces Beth to relive her most traumatic memories over and over again in quick succession. It soon becomes clear to the reader that time traveling is mucking up Beth’s own timeline, as small changes begin to occur. But when tragedy strikes again and Beth loses everything, she finds herself making one last push into the past—this time to save what’s most precious to her. Fracassi weaves a tightly plotted story here, tying up loose ends in nice, neat bows. Although some readers will undoubtedly find Beth’s tale too tame to bear the thriller mantle, others will enjoy the coziness of this time-travel tale.
A solid new entry in the time-travel genre that never gets too bogged down in the science of it all.Pub Date: March 18, 2025
ISBN: 9780316572514
Page Count: 336
Publisher: Orbit
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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