A mixed bag, with a fine piece about baseball at the apex but with otherwise too few memorable moments.

READ REVIEW

THE PATRON SAINT OF DREAMS

ESSAYS

Mannered essays, written to the academic creative-nonfiction formula, on hurricanes, spirits, death and other such weighty matters.

The formula: Start with a brief declaration; hint that the writer knows something the reader doesn’t; punctuate with a few one-sentence paragraphs, hortatory or expository; layer on a blend of arresting statistics and mundane observations. Thus, writes Gerard (Creative Writing/Univ. of North Carolina, Wilmington; Creative Nonfiction, 2004, etc.): “What they don’t tell you about hurricanes is the uncertainty”; “Her name is Maria”; “Some stories do not have an obvious, coherent narrative.” These are three representative opening sentences, all of which lead to tales about the capriciousness, sorrow and violence of life. Death is a constant, as are observations that death is just plain unfair; constant, too, are notes on the manifold ways in which people get caught up in events, yielding those hortatory and I-know-something-you-don’t turns—e.g., “Let me tell you about the daughter of another soldier…There is no need for you to know her name.” The best pieces in the book—and there are several very good ones here—are simple shaggy-dog stories involving government plots and ghosts, the sorts of things you might tell with cigars and scotch around a fire. The worst are workshop-esque exercises in philosophizing. One essay opens, for instance, with a yarn about James Dickey’s saying over lunch that “after the age of forty a man is responsible for his face,” an apercu that Dickey stole from George Orwell. That observation, repeated in a couple of variations, is really just an in-passing setup for a piece on scars, mortality and aging that struggles to get out from under its own commonplaceness.

A mixed bag, with a fine piece about baseball at the apex but with otherwise too few memorable moments.

Pub Date: March 1, 2012

ISBN: 978-1-891885-89-1

Page Count: 200

Publisher: Hub City Press

Review Posted Online: Jan. 16, 2012

Kirkus Reviews Issue: Feb. 1, 2012

Did you like this book?

No Comments Yet

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Did you like this book?

No Comments Yet

WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

Did you like this book?

No Comments Yet
more