Next book

WAS THE CAT IN THE HAT BLACK?

THE HIDDEN RACISM OF CHILDREN'S LITERATURE, AND THE NEED FOR DIVERSE BOOKS

A fascinating and necessary critical work.

An acclaimed children’s literature scholar picks up the mantle of Walter Dean Myers, Nancy Larrick, and others by exploring the ways in which the lack of diversity in children’s literature negatively affects American culture as a whole.

Working off of the premise that America has entered a new era of civil rights, Nel (English/Kansas State Univ.; Crockett Johnson and Ruth Krauss: How an Unlikely Couple Found Love, Dodged the FBI, and Transformed Children's Literature, 2012, etc.) asserts that the “cultures of childhood play a prominent role in replicating prejudice” and that stereotypes within literature are maintained and replicated through a combination of nostalgia, structural racism, fervent belief in the myth of American exceptionalism, and lack of exposure to varied minority life experiences. Referencing politics, popular culture, and his personal history, each of the author’s five chapters draws a different correlation between the power of visual culture—of which children’s books are an integral part—and fraught events such as the killing of Trayvon Martin and the recent presidential election. While Nel does not believe that the publishing industry deliberately perpetuates stereotypes, the enduring popular books that he references are his proof that doing so normalizes racial caricature for children, as beloved characters become so embedded in culture that their racial origins become invisible to successive generations of readers. In each chapter, the author demonstrates why he is considered a master in his field, as he faultlessly blends history and anecdote with insightful criticism. The second chapter, which discusses attempts to sanitize books such as Huckleberry Finn, is particularly enlightening. Directly addressing Alan Gribben’s edition of the book, which removes the “N-Word,” Nel adeptly points out that removing it not only misses the point of Twain’s work, but also makes the book’s racism more covert and therefore more insidious. Occasionally the author’s political leanings become apparent, which may turn away nonliberal readers.

A fascinating and necessary critical work.

Pub Date: Aug. 1, 2017

ISBN: 978-0-19-063507-7

Page Count: 296

Publisher: Oxford Univ.

Review Posted Online: May 14, 2017

Kirkus Reviews Issue: June 1, 2017

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Close Quickview