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THE BURNING MAN

An Oregon lawyer exiled from Portland to the sticks grabs at a high-profile murder case as his one and only chance to turn his life around—and that's only the most obvious clichÇ in this pot of refried beans. ``You possess the intelligence to be a good lawyer, but you're lazy and self-centered,'' Peter Hale's father harangues him just after Peter's arrogance and incompetence shut a client out of a well-deserved settlement, and just before he banishes him to legal serfdom in backwoods Whitaker. Well-tailored Peter fumes as he watches his old school friend Steve Mancini run rings around him in their separate defenses of Christopher Mammon and Kevin Booth, two lugs charged with serious coke possession. But salvation seems at hand when Steve maneuvers Peter into defending Gary Harmon, who's facing the death penalty for aggravated homicide after a third Whitaker State coed is killed with a hatchet. A gung-ho cop's persuaded sweet, retarded Gary, who'd had a public confrontation with an approachable blond who brushed him off shortly before the murder, that the couple he saw necking in Wishing Well Park was actually the killer and his latest victim—and then insinuated Gary into the frame by appealing to his psychic powers. And when prosecutor Becky O'Shay's case falters, Kevin Booth, who just happens to be doing his time in the same prison as Gary, passes on a duplicate confession Gary allegedly made to him. Just as Gary, under indictment on a capital crime, is worried that his mother will find out about his skin mags, Peter is worried what the case will do to his budding romance with Becky—until the impossible bind that makes Peter realize his real duty is to his client, not his career, and finally points a finger at the guilty party. Despite the hints of grand conspiracy and grand passion, Margolin (After Dark, 1995, etc.) leaves too little meat on these bones for any but the staunchest fans of legal intrigue, with hollow surprises that arrive too late to save his puny plot.

Pub Date: Sept. 4, 1996

ISBN: 0-385-48053-9

Page Count: 344

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1996

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THE OTHER AMERICANS

A crime slowly unmasks a small town’s worth of resentment and yearning.

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A hit-and-run in the Mojave Desert dismantles a family and puts a structurally elegant mystery in motion.

In her fourth book, Lalami is in thrilling command of her narrative gifts, reminding readers why The Moor’s Account (2014) was a Pulitzer finalist. Here, she begins in the voice of Nora Guerraoui, a nascent jazz composer, who recalls: "My father was killed on a spring night four years ago, while I sat in the corner booth of a new bistro in Oakland.” She was drinking champagne at the time. Nora’s old middle school band mate, Jeremy Gorecki, an Iraq War veteran beset with insomnia, narrates the next chapter. He hears about the hit-and-run as he reports to work as a deputy sheriff. The third chapter shifts to Efraín Aceves, an undocumented laborer who stops in the dark to adjust his bicycle chain and witnesses the lethal impact. Naturally, he wants no entanglement with law enforcement. With each chapter, the story baton passes seamlessly to a new or returning narrator. Readers hear from Erica Coleman, a police detective with a complacent husband and troubled son; Anderson Baker, a bowling-alley proprietor irritated over shared parking with the Guerraoui’s diner; the widowed Maryam Guerraoui; and even the deceased Driss Guerraoui. Nora’s parents fled political upheaval in Casablanca in 1981, roughly a decade before Lalami left Morocco herself. In the U.S., Maryam says, “Above all, I was surprised by the talk shows, the way Americans loved to confess on television.” The author, who holds a doctorate in linguistics, is precise with language. She notices the subtle ways that words on a diner menu become dated, a match to the décor: “The plates were gray. The water glasses were scratched. The gumball machine was empty.” Nuanced characters drive this novel, and each voice gets its variation: Efraín sarcastic, Nora often argumentative, Salma, the good Guerraoui daughter, speaks with the coiled fury of the duty-bound: “You’re never late, never sick, never rude.” The ending is a bit pat, but Lalami expertly mines an American penchant for rendering the “other.”

A crime slowly unmasks a small town’s worth of resentment and yearning.

Pub Date: March 26, 2019

ISBN: 978-1-5247-4715-2

Page Count: 320

Publisher: Pantheon

Review Posted Online: Dec. 10, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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CRYPTONOMICON

Detail-packed, uninhibitedly discursive, with dollops of heavy-handed humor, and set forth in the author’s usual...

Stephenson’s prodigious new yarn (after The Diamond Age, 1995, etc.) whirls from WWII cryptography and top-secret bullion shipments to a present-day quest by computer whizzes to build a data haven amid corporate shark-infested waters, by way of multiple present-tense narratives overlaid with creeping paranoia.

In 1942, phenomenally talented cryptanalyst Lawrence Waterhouse is plucked from the ruins of Pearl Harbor and posted to Bletchley Park, England, center of Allied code-breaking operations. Problem: having broken the highest German and Japanese codes, how can the Allies use the information without revealing by their actions that the codes have been broken? Enter US Marine Raider Bobby Shaftoe, specialist in cleanup details, statistical adjustments, and dirty jobs. In the present, meanwhile, Waterhouse’s grandson, the computer-encryption whiz Randy, tries to set up a data haven in Southeast Asia, one secure from corporate rivals, nosy governments, and inquisitive intelligence services. He teams up with Shaftoe’s stunning granddaughter, Amy, while pondering mysterious, e-mails from root@eruditorum.org, who’s developed a weird but effective encoding algorithm. Everything, of course, eventually links together. During WWII, Waterhouse and Shaftoe investigate a wrecked U-boat, discovering a consignment of Chinese gold bars, and sheets of a new, indecipherable code. Code-named Arethusa, this material ends up with Randy, presently beset by enemies like his sometime backer, The Dentist. He finds himself in a Filipino jail accused of drug smuggling, along with Shaftoe’s old associate, Enoch Root (root@eruditorum.org!). Since his jailers give him his laptop back, he knows someone’s listening. So he uses his computing skills to confuse the eavesdroppers, decodes Arethusa, and learns the location of a huge hoard of gold looted from Asia by the Japanese.

Detail-packed, uninhibitedly discursive, with dollops of heavy-handed humor, and set forth in the author’s usual vainglorious style; still, there’s surprisingly little actual plot. And the huge chunks of baldly technical material might fascinate NSA chiefs, computer nerds, and budding entrepreneurs, but ordinary readers are likely to balk: showtime, with lumps.

Pub Date: May 4, 1999

ISBN: 0-380-97346-4

Page Count: 928

Publisher: Avon/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1999

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