This fairly routine psychobiography adequately chronicles the life, loves, and poems of Romantic literature's most famous rake. Lord Byron (17881824) was, as one of his most notorious mistresses put it, ``mad, bad, and dangerous to know.'' His violent, overweening ego was in great measure fostered by a doting mother. Estranged from her husband, she raised her son in modest circumstances in her native Scotland; but a series of unexpected deaths in the family brought ten-year-old George Gordon the Byron title, thrusting him from his childhood idyll into the world of the English peerage. Grosskurth (The Secret Ring: Freud's Inner Circle and the Politics of Psychoanalysis, 1991; Humanities and Psychoanalytic Thought/Univ. of Toronto) vividly limns Byron's school days at Harrow, although his years at Cambridge, and indeed his intellectual formation generally, remain hazy. She judiciously presents the evidence for Byron's very early sexual initiations by a servant woman and by a lecherous lord. Upon his return from his Grand Tour of the Continent, the thinly veiled autobiography of Childe Harold's Pilgrimage caused a sensation. Years of tremendous extravagance followed, marked by huge debts and scores of polymorphous sexual conquests, but Byron outdid himself by conducting a liaison with his own half-sister. Driven to the Continent by creditors, moralists, and a failed marriage (about which Grosskurth offers important new research), Byron fell in with the Shelleys and reached new maturity as a poet. Grosskurth's best chapters treat his final exile, ending in Greece, where he fought for that nation's independence and died of a fever at age 36. In these chapters her underargued psychoanalytic claims—for instance, that Byron was ``tortured by guilt about both his homosexuality and the incest with Augusta''—go on the back burner, and everyday vignettes that show his charisma come to the fore. But too often, unfortunately, Grosskurth's meticulous cataloguing of Byron's madness and badness deadens the reader to this mercurial sadist's attractiveness—that is, to what made him dangerous. (24 b&w photos, not seen)
Pub Date: April 15, 1997
ISBN: 0-395-69379-9
Page Count: 544
Publisher: Houghton Mifflin
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 1, 1997
BOOK REVIEW
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
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