by Phyllis Limbacher Tildes ; illustrated by Phyllis Limbacher Tildes ‧ RELEASE DATE: Jan. 7, 2020
A fresh and entertaining take on the bunny-and–Easter egg theme.
A bunny boy finds a large egg to decorate for Easter, with an astonishing revelation when the egg hatches.
In his light blue sweater, the charming bunny looks like a distant relative of Peter Rabbit. He is outside by himself, collecting eggs in his Easter basket for painting later. When Bunny finds a single, large egg near the edge of a lake, he unsuccessfully tries to find the creature that laid the egg. He questions a goose, a heron, and an osprey, finally taking the huge egg home to paint as an Easter egg. When the decorated egg hatches, a surprise emerges—a baby alligator, although the little rabbit isn’t sure what sort of critter this might be. Bunny returns the baby to the lake where he found the egg, and a page turn reveals a mother alligator with four babies swimming nearby. The lost baby alligator jumps in the lake to rejoin its family, and the mother swims away, carrying the five babies in her mouth. The simple text includes repeated elements and a winning sense of dramatic pacing as the alligator angle of the plot is revealed. Appealing watercolor illustrations strike a satisfying balance between the cuddly bunny and the slightly scary mother alligator with yellow eyes and a mouthful of pointed teeth.
A fresh and entertaining take on the bunny-and–Easter egg theme. (Picture book. 3-6)Pub Date: Jan. 7, 2020
ISBN: 978-1-58089-684-9
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Feb. 1, 2020
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by Phyllis Limbacher Tildes ; illustrated by Phyllis Limbacher Tildes
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by Phyllis Limbacher Tildes ; illustrated by Phyllis Limbacher Tildes
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by Phyllis Limbacher Tildes ; illustrated by Phyllis Limbacher Tildes
by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Aaron Reynolds ; illustrated by Peter Brown
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by Peter Brown ; illustrated by Peter Brown
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by Eric Carle ; illustrated by Eric Carle ‧ RELEASE DATE: Dec. 15, 2015
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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