by Phyllis Strupp ; illustrated by Jana Myers ‧ RELEASE DATE: Jan. 7, 2025
A well-designed and optimistic framework for staying sharp while growing older.
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Strupp offers a multistep plan for keeping one’s brain healthy later in life.
In her latest work of nonfiction, the author, a self-described brain coach, primarily aims to help readers aged 40 to 60 craft their own personal AI (“autobiographical intelligence”) to stave off Alzheimer’s disease and other forms of mental deterioration associated with age. The key to her multistep approach is storytelling, which she views as crucial to mental health; she even adapts the Cartesian motto “I think, therefore I am” into “I narrate, therefore I am.” She contends that one’s personal story is like a rope made of words—a braided “mindDNA” that determines how that person will age. “Mental health,” she writes, “is a flawed concept that should be replaced by story health.” Strupp proposes seven steps for improving such health: “Reclaim,” “Reframe” (“By shaping the words you say to yourself about yourself…you can strengthen your mindDNA”), “Review,” “Renew” (which addressees the physical replacement rate of the body’s cells), “Redirect,” “Reset” (“the afternoon of life requires heroic action to strengthen the story rope”), and, finally, “Rejoice.” Each of these key elements can be strengthened, she says, by its own mental “tool,” such as the “Inner Compass Tool” in the “Reclaim” chapter, and she explains how to use each one. To illustrate the use of the tools in narrative terms, Strupp uses a fictional character named Grace, a recently laid-off, 46-year-old single mother raising her 11-year-old daughter. The book includes numerous, full-color illustrations by Myers to clarify its points.
The author makes the wise tactical decision to open her book on a personal note, describing how, during her own “afternoon of life”—when she seemed to have most of her lifetime goals—she still felt unfulfilled: “This acute, painful feeling—what I call a soul-ache—pushed me to seek what mattered most in life,” she writes. “I felt the need to make sense of my life: the good, the bad, and the ugly.” Cliches such as these appear throughout the book, and some aspects of the work feel oversimplified—especially regarding the biological factors of degenerative conditions that can’t simply be avoided by maintaining an active mind. However, the stories that she draws from her own experiences as a consultant, as well as the generalized precepts she inserts into the tale of Grace and her own family, paint an appealingly optimistic picture. The concept of “SuperAgers,” who work hard to enable their brain to outlast their body, underscores this combination of perfectibility and communal connection. The author notes, for instance, that counteracting the dopamine rush that accompanies over-indulgence involves a different, more powerful brain chemical—oxytocin, whose effect, she says, is strengthened by “activities people have been doing for millennia”: “dancing, empathy, eye contact, giggling, hugs, play, sex, singing.” Many elements of Strupp’s upbeat book embrace the notion of holistic personal effectiveness, urging people in their later years to look on the challenges of aging as potentially beatable.
A well-designed and optimistic framework for staying sharp while growing older.Pub Date: Jan. 7, 2025
ISBN: 9780974672762
Page Count: 176
Publisher: N/A
Review Posted Online: Dec. 31, 2024
Kirkus Reviews Issue: Feb. 15, 2025
Review Program: Kirkus Indie
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by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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by Elyse Myers ; illustrated by Elyse Myers ‧ RELEASE DATE: Oct. 28, 2025
A frank and funny but uneven essay collection about neurodiversity.
An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.
From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.
A frank and funny but uneven essay collection about neurodiversity.Pub Date: Oct. 28, 2025
ISBN: 9780063381308
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
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